| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 表示主义是古代主义绘画的一条主线，它的重要基地是德国，这取决于德国的社会实际和国际身分，德语论文题目，德语论文，反应了其时敏感的常识份子在社会畸形成长中精力上的恐怖和孤单。德国表示主义艺术情势重视特性和豪情的表示，在内容上否决客不雅模拟，并力图冲破传统的约束；在作风上强调简练笼统与协调抒怀的艺术手段，具有浓重的意味意味和讥讽成份。本文从四个部门对德国表示主义的艺术情势停止深刻的剖析和思虑。第一部门阐述德国表示主义的前驱人物及其构成流派的艺术偏向和主意，说明表示主义艺术不雅念的构成和成长状态。第二部门重点论述德国表示主义的艺术情势的多元化构建，论证了客观身分、情绪身分、意味身分和笼统身分是表示派艺术情势的症结地点。第三部门论述德国表示主义艺术情势的特色，近一步阐释其特性凸起、作风夸大及协调抒怀的艺术纪律。第四部门胪陈德国表示主义艺术情势的成因，深层商量了构成德国表示主义艺术情势的汗青、地区、实际和实际配景，和艺术家个别所遭到新的艺术作风和异域文明的作用。 Abstract: That doctrine is the main line of modern painting, is an important base for the Germany, depending in German social reality and international factors, the reaction of the meantime sensitive intellectual in the abnormal growth of social energy of terror and lonely. Germany says doctrine art situation attention characteristics and passion, and in the content of veto objectively simulation, and tries to break through the restraint of the traditional. In the style of stressed concise general and coordination of the lyric artistic means, with strong means means and ironical ingredients. This article from the four departments of Germany, said the art form of the art of profound analysis and thinking. The first part of the German doctrine of the precursors and the art of the formation of the idea of the genre, description of the art of representation of the composition and growth of the state of the art. The second part focuses on the construction of the art form of the German art, and demonstrates the key points of the art form, which is the objective factor, the emotional status, the identity and the general status. The third part discusses the German said characteristics of feminist art situation, a further interpretation of bulge in the characteristics, style exaggerated and coordination of lyric art discipline. The Fourth Department expatiatory Germany said doctrine of artistic forms of causes and deep discuss constitute the German said doctrine of artistic forms of history, area, the actual and practical background, individual artists and by the influence of new artistic style and exotic civilizations. 目录: 引言 7 一、德国表现主义艺术的形成 7-9 (一) 德国表现主义的先驱人物 7-8 (二) 表现主义的三个社团 8-9 二、德国表现主义艺术形式的构成 9-19 (一) 主观因素 9-11 (二) 情感因素 11-14 (三) 象征因素 14-16 (四) 抽象因素 16-19 三、德国表现主义艺术形式的特点 19-25 (一) 独特的个性语言 19-21 (二) 夸张的表现手法 21-23 (三) 和谐和抒情 23-25 四、表现主义艺术形式的成因 25-31 (一) 历史因素 25 (二) 地域因素 25-26 (三) 现实背景 26-27 (四) 理论基础 27-28 (五) 文化吸收 28-31 结语 31-32 注释 32-33 参考文献 33-34 后记 34-35 附：本人在读研期间科研论文、论著及获奖情况一览表 35 |
