(摘要内容经过系统自动伪原创处理以避免复制,下载原文正常,内容请直接查看目录。) 自己研究对象是德国战后的冈特·兰堡、乌韦·勒施、金特·凯泽、霍尔戈·马蒂斯这四位海报设计年夜师的著作,解读其著作的创作文明、政治配景和制造技能在当下图形与影象赓续变更和成长使得视觉范畴面孔条理不齐,在如许的配景下我们对图形说话的进修须要重视,重视传统,德语论文题目,传承传统是寻觅新的融会和共生的条件。重要研究办法有文献研究、个案研究、体系研究、笼统归纳综合和归结归纳,德语论文网站,本文对相干实际停止汇集和整顿;对制造和拍摄模子类海报停止综合剖析和比拟;联合设计师的设计理念和设计技能加以论证。论文从立体设计的三年夜组成、图形说话动手剖析和进修德国海报设计年夜师对海报的看法和创作理念,在当下花花绿绿的信息转达面孔下,从传统中寻觅冲破口,传承他们在设计上的立场精力;也给从事设计教授教养的任务者从在海报教授教养中多一份可以参考的资料,进步设计进修者着手才能和表达技能的视野。 Abstract: Our research object is Germany's post-war Gunter ranbow, Uwe Lers, Gent Kaiser, Hollego Mathis these four big poster design division of the work, the interpretation of the works of civilization, political background and manufacturing skills in change and growth makes the visual category face uneven current graphics and image level continuously, in this context we need attention, to study graphic speaking tradition, traditional heritage is looking for a new understanding and symbiosis condition. The main research methods are literature research, case study, system research, general induction and generalization. This paper is to analyze and summarize the relevant practice. From the three large three-dimensional design composition, graphic analysis and hands-on learning to speak German poster design posters on Nianye division views and creative ideas, the information conveyed in the present brightly coloured face, from the traditional looking into their heritage in the design of position for energy; engaged in the design of teaching task from reference in a poster teaching can progress information, design and presentation skills to learners to view. 目录: 摘要 5-6 Abstract 6 绪论 7-9 第一章 金特·凯泽的设计风格探寻 9-13 1.1 金特·凯泽的艺术生涯回顾 9-10 1.2 金特·凯泽的创作理念 10-11 1.3 金特·凯泽的著作略论 11-12 1.4 金特·凯泽的设计风格小结 12-13 第二章 冈特·兰堡的设计风格探寻 13-20 2.1 冈特·兰堡的艺术生涯回顾 13-14 2.2 冈特·兰堡的创作理念 14-16 2.3 冈特·兰堡的著作略论 16-19 2.4 冈特·兰堡的设计风格小结 19-20 第三章 霍尔戈·马蒂斯的设计风格探寻 20-23 3.1 霍尔戈·马蒂斯的艺术生涯回顾 20-21 3.2 霍尔戈·马蒂斯的创作理念 21 3.3 霍尔戈·马蒂斯的著作略论 21-22 3.4 霍尔戈·马蒂斯的设计风格小结 22-23 第四章 乌韦·勒施的设计风格探寻 23-28 4.1 乌韦·勒施的艺术生涯回顾 23 4.2 乌韦·勒施的创作观念 23-25 4.3 乌韦·勒施的著作略论 25-26 4.4 乌韦·勒施的设计风格小结 26-28 结论 28-29 附录一:德国近现代海报设计流派探讨大事记 29-33 附录二:1893-1980 年德国政治、文化对平面设计的作用和关系略叙(纲要) 33-38 注释 38-39 参考文献 39-41 致谢 41 |