佐藤春夫文学世界中的自我探析一以《西班牙犬的家》及《美丽的都市》为中心Misaki Sato Haruo's self seeking in the world of literature to explore a "Spanish dog's home" and "beautiful city" as the center 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 佐藤春夫是与芥川龙之介等人齐名的年夜正期代表作家，但是今朝对于佐藤春夫文学著作的研究却较为稀疏，且一半以上都集中在他的代表作《田园的愁闷》上。“愁闷”切实其实是佐藤春夫文学的一年夜主题，然则在研究“愁闷”的同时，我们也不该漏掉他“自我探访”的踪影。佐藤春夫在感触感染愁闷的同时，也在赓续地探访消除愁闷的办法。是以本文以《西班牙犬的家》及《俏丽的都会》这两篇差不多与《田园的愁闷》同时代揭橥的著作为参考文本，详细商量佐藤春夫自我探访的萍踪。在都会中抑郁不胜的佐藤春夫为解脱愁闷，转而向田园这一天然景致追求救助。但依靠了幻想与救赎的田园却未能帮他解脱孤单与愁闷的现状。幻想与实际之间的伟大反差让他损失了自我定位。但是他在渺茫的同时，却又加倍积极地寻觅自我。终究他发明了以《西班牙犬的家》及《俏丽的都会》为代表的非实际世界。在《西班牙犬的家》中，主人公追随爱犬离开树林深处，西语论文题目，发明了充斥理想意味的西班牙犬的家。而在这一进程中，听觉与视觉一一恢复，西语毕业论文，主人公由本来的有意识追随成长为无意识地探访，这可以说是自我认识的苏醒，也能够称之为自我发明的过程。但是遗憾的是，水盘、时钟，西班牙犬等具有否认意味的意象一一出现，终究招致了自我发明这一测验考试无疾而终。但佐藤春夫并未废弃，而是将本身的视野转向了加倍富有非实际意味的艺术世界一《俏丽的都会》。《俏丽的都会》中，描述了川崎，画家E，老技师T这三个艺术家设计幻想都会时的姿势。虽然这一都会假想缺少实际基本的支撑，并且选址中洲这一行为自己就曾经预言了俏丽的都会的掉败，但作者佐藤春夫在知晓俏丽的都会弗成能全体完成的同时，却建成了个中的一间画室。这可以说是不想废弃艺术寻求，并愿望将自我探访进一步深刻下去的佐藤春夫的姿势。也就是说，进入到《俏丽的都会》这一艺术世界以后，佐藤春夫终究找到了本身作为艺术家的存在感，并经由过程赓续地描述艺术世界到达了消除本身愁闷与忧？的目标。他以“无常美感”为中间，绝不辛苦地游走在幻想与实际之间。艺术世界才是他的归宿，才是他得以安心栖身的家。 Abstract: Misaki Sato Haruo is on a par with Akutagawa Ryunosuke's big positive period on behalf of the writer, but research on Misaki Sato Haruo's literary works at present is relatively sparse, and more than half are concentrated in his masterpiece "Pastoral" on melancholy. "Sad" is actually a major theme of Misaki Sato Haruo's literature, but in the discussion of "melancholy" at the same time, we should not miss his "self visit" sign. Misaki Sato Haruo was feeling sad at the same time, also eliminate the sad way unceasingly visits. This paper is to "home" and "Spanish dogs will" pretty the two "Pastoral" and almost the sadness of the same age published works as a reference text, detailed discuss self Misaki Sato Haruo visits footprints. Will Misaki Sato Haruo be in depression for free spirits and turned to the pursuit of natural scenery pastoral assistance. But rely on fantasy and redemption but failed to help him escape pastoral lonely and sad situation. The great contrast between fantasy and reality, so that he lost the self positioning. But he was slim, but also more actively seeking self. After all, he invented the "home" and "Spanish dogs are pretty" as the representative of the non real world. In the "Spanish dog home", the hero follow dog left the woods, invented the full Spanish dog home ideal means. In this process, the hearing and vision one one recovery, the protagonist from the original consciously follow the growth of the unconscious to visit, which can be said to be self aware of the awakening, it can be called the process of self invention. Unfortunately, the water wheel, clock, etc. has denied that the Spanish dog image one one, eventually led to the invention of this self test failed. But Misaki Sato Haruo has not abandoned, but its vision to the more rich than the actual means of artistic world "will be" pretty. "Pretty" will describe, Kawasaki, artist E, old technician T these three artists will design the posture of fantasy. Although this one perceives the lack of actual basic support, and the location of Zhongzhou his behavior had predicted pretty will fail, but the author Misaki Sato Haruo in the know pretty will be impossible to complete all at the same time, they built a studio one. This can be said to do not want to abandon the art of seeking, and the desire to self visit to further deep down Misaki Sato Haruo's posture. That is to say, after entering into the "beautiful" will be the world of art, Misaki Sato Haruo eventually found itself as an artist's presence, and continued to describe the art world to eliminate worry and depression by itself? Target. He is in the middle of the "aesthetic feeling", and he is not hard to walk between fantasy and reality. The art world is his home, the home that he can live at ease. 目录: |
