| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 安娜·西格斯是享誉世界的反法西斯作家，平易近主德国文学的奠定人，她以丰硕的批评实际主义著作在二十世纪德国文学史上占领弗成摇动的位置。西格斯以犹太人、共产党人和右翼作家三重身份介入了德国最动乱的一段汗青，即一战、二战和“两个德国”的决裂时代。西格斯在文学创作上的造诣重要集中于长短篇小说，以此勉励德国国民否决法西斯和阶层榨取，德语论文网站，寻求平易近主和自在。作为一位女小说家，西格斯创作了年夜量女性人物。这些脚色从年纪、身份到性情、认识形状都各别，然则她们都生涯在战乱中的德国或欧洲，不论她们若何艰苦地挣扎和选择，亡命或是苦守，对抗或是服从，掩耳盗铃置身事外或是大胆投入汗青的大水，她们的命运就像其时各色人物的缩影，拼出战斗真实残暴的气象。对于亡命中的女性这一群体，西格斯也曾撰文描写她眼中“最多见的情形”：在汉子跟随心坎去完成本身的幻想信心的时刻，他们身旁的女人常常是谁人在衣锦还乡的决议上历来没有话语权、丈夫出席的时刻默默地蒙受着伟大的压力、最初带着孩子和行李在一个生疏喧闹的国家还要毫无牢骚地立时开端筹划一家人生涯的人，女人们在这场奋斗里一样是弗成或缺的脚色。本论文以德国古代文学史上罕见的“战斗文学”主题为实际基本，德语论文范文，以《已故少女们的远足》、《重逢》、《阿迦特·施魏格尔特》、《芦苇管》四部短篇小说为例，剖析西格斯笔下女性人物中的典范抽象，试图以此商量作家笔下女性在战斗中的遭受和饰演的脚色，并将之与作家自己在战斗中的阅历和由此构成的对战斗的意见接洽起来，剖析作者创作的缘由和念头。本论文拟采取文天职析和归结比较的研究办法。 Abstract: Anna Seegers is a worldwide anti fascist writers, democratic German literature lay people, she occupied the unshakable position in the history of German literature in twentieth Century with great criticism of realism works. Seghers to triple identity of Jews, Communists and left-wing writers involved in Germany the most troubled period of history, namely a war, World War II and the "two German" break times. Seghers in literary attainments focused in novels and short stories, in order to encourage German nationals rejected fascism and class oppression, seek plain near the main and freedom. As a female writer, Seegers created a large number of female characters. These roles from the age, identity to temperament, recognize shapes are severally, however they are career in the war in Germany or Europe, regardless of how their hard struggle and selection, desperate or bitter guard, confrontation or obey, self deception to stay out of or bold investment history flood, their fate is like in the meantime colorful characters of microcosm, spell out fighting a truly atrocious weather. Fugitive on the female of the group, Seghers also wrote describing her eyes "most common": in men with Xpress Kan to complete itself fantasy faith of the moment, the woman next to them is often people who in the homecoming of resolution never the right to speak, her husband to attend the moment silently suffered great pressure, first with the children and luggage in a strange and noisy countries but also to any complaints immediately start planning a family life, women in this struggle is indispensable role. This paper to the German ancient history of literature rare "literary" Battle Theme for basic theory, to the late girls hiking "," Reunion ", the Agat Schweigelt, the reed pipe" four short stories, for example, analysis of Seghers pen of the female characters in the model abstraction, trying to in order to discuss writers of women in combat suffered, and play the role and with the writer himself in combat experience and thus constitute a to fight opinion approached up, analysis the reason and thought of the author. This paper intends to take text analytics analysis and comparative research methods summed up. 目录: Danksagung 4-5 论文摘要 5 Abstract 6-8 1. Einleitung 8-10 1.1 Motivation und Zielsetzung 8-9 1.2 Forschungsstand und Forschungsmethode 9-10 1.3 Aufbau der Arbeit 10 2. Theoretische Grundlage 10-16 2.1 Begriffsbestimmung Kriegsliteratur“ und Antikriegsliteratur“ 10-12 2.2 Antikriegsroman – Im Westen nichts Neues“ als Beispiel 12-16 3. Anna Seghers und ihre Einstellung zum Krieg 16-23 3.1 Leben und Werke von Anna Seghers 16-19 3.2 Seghers im Krieg und ihre Einstellungen 19-23 4. Frauengestalten in Anna Seghers′Erz hlungen 23-55 4.1 Das Panorama - Der Ausflug der toten M dchen“ 23-36 4.1.1 über das Werk 23-28 4.1.2 K mpferinnen des Kriegs 28-31 4.1.3 Komplizen des Kriegs 31-34 4.1.4 Opfer des Kriegs 34-36 4.2 Unterstützende Kraft - Wiederbegegnung“ 36-41 4.2.1 über das Werk 36-37 4.2.2 Charakteranalyse der Frauenfigur Celia“ 37-41 4.3 Mutterbild in Agathe Schweigert“ 41-48 4.3.1 über das Werk 41-45 4.3.2 Charakteranalyse der Frauenfigur Agathe“ 45-48 4.4 Verliebte Frauen in Das Schilfrohr“ 48-55 4.4.1 über das Werk 48-50 4.4.2 Charakteranalyse der Frauenfigur Marta“ 50-55 5. Schlusswort 55-58 Literaturverzeichnis 58-62 |
