| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 本篇论文以小说《撒谎者雅各布》作为研究对象，该小说由德国现代文坛曾颇负盛名的作家尤雷克﹒贝克尔创作完成。小说环绕主人公雅各布﹒海姆的一个俏丽的假话睁开，这俏丽的假话为隔都里的错误带来了伟大的愿望，同时却将雅各布本身几回再三推入绝境。小说繁重的主题虽选材于二战年夜屠戮，尤雷克在著作中却极尽滑稽，特别是对重要人物的描绘，将作者的滑稽幽默表现得极尽描摹，只是幽默紧接着的是没法描写的悲哀。从写作技能来讲，《撒谎者雅各布》年夜量运用了元小说的论述手段，分歧于传统小说，德语毕业论文，元小说作家们不再竭尽所能的去掩盖著作中的不公道成份，年夜方认可小说自己没法逃走的虚拟性实质。在这部小说中，元小说的叙事技能反而增加了故事的真实性，这得益于作者的坦诚—处处仔细为读者解释故工作节的虚拟成份。明显，小说家的“揭短”博得了读者更多的信赖。 Abstract: This master thesis in the novel "the Jacob the liar" as the research object, the novel by the modern German literature has quite negative famous writer Urak Becker creation completed. Novel around the protagonist Jacob Haim a pretty lie open, this beautiful lies for vibration in the error brought great desire, but also Jacob itself over and over again pushed into an impasse. The heavy theme of the novel although material in World War II, the eve of the killing, Jurek in the works but extremely funny, especially on important character depiction would the author of humorous behave incisively and vividly, just humor following is no description of sorrow. From the perspective of writing skills, "Jacob the liar," a large number of application of meta fiction on the means, differences from the traditional novels, meta fiction writers no longer do everything we can to cover works not reasonable ingredient, the eve of the party recognized novels themselves unable to escape virtual essence. Instead of the narrative skills in the novel, meta fiction to increase the authenticity of the story, thanks to author Frank - everywhere carefully for the reader to interpret the stories of virtual components. Obviously, the novelist Jieduan won the readers more trust. 目录: Danksagung 4-5 摘要 5 Abstract 6-8 1. Einleitung 8-10 2. Jurek Becker und sein Werk Jakob der Lügner 10-35 2.1. Der Schriftsteller Jurek Becker 10-12 2.2. Jakob der Lügner 12-35 2.2.1. Inhaltsangabe 12-14 2.2.2. Verfassungshintergrund 14-20 2.2.2.1. Die jüdische Identit t 14-17 2.2.2.2. Anpassung und Widerstand 17-20 2.2.3. Eine Kombination: Die Komik und Trauer 20-35 2.2.3.1. Die Komik der jüdischen Figuren 22-32 2.2.3.2. Die Komik der deutschen Soldaten 32-35 3. Die Metanarration in Jakob der Lügner 35-57 3.1. Kurzer überblick über die Metafiktion 35-36 3.2. Die Metanarration in Jakob der Lügner 36-54 3.2.1. Die Einmischung in den Erz hlvorgang 39-41 3.2.2. Die fiktionalen Darstellungen und Kommentare über Figurenund Ereignisse 41-45 3.2.3. Das fingierte Romanende der Geschichte 45-50 3.2.4 Das flexibel variable Erz hlverhalten und die nichtlineare Handlungsgestaltung 50-54 3.3. Die Authentizit t durch die Fiktionalit t 54-57 4. Schlusswort 57-60 5. Literaturverzeichnis 60-64 |
