| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 21世纪初，德语文学在受全球化、文明抵触和新媒体时期的作用下，一个标题从新焕产生机那就是“家庭”。从2002年君特·格拉斯(Günter Grass)的《蟹行》开端，以家族史为标题的文学著作不停如缕。例如乌拉？哈恩(Ulla Hahn，1946一)的长篇小说《隐约的图象》(Unscharfe Bilder)(2003)；乌韦？蒂姆(Uwe Timm，1940一)的《以我的兄弟为例》)(Am Beispiel meines Bruders)(2003)；斯特凡？瓦克维茨(Stephan Wackwitz，1952一)的家庭小说《看不见的国家》(Ein unsichtbares Land一Familienroman)(2003)；阿诺尔德？盖格尔(Arno Geiger，1968一)于2017年出书的长篇小说《我们过的很好》(Es geht uns gut)(2017)；尤莉亚·弗兰克(Julia Franck，德语毕业论文，1970一)的《午间女人》(Mitagsfrau)(2017)；燕妮？埃彭贝克(Jenny Erpenbeck，1967一)的长篇小说《突如其来》(Heimsuchung)(2017)等等。值得留意的是，2017、2017、2017、2017年的德国图书奖分离给了三部家庭小说阿诺尔德·盖格尔的《我们过得很好》，尤莉亚·弗兰克的《午间女人》，乌韦·特尔坎普(Uwe Tellkamp)的《塔》(Der Turm)。这些小说不只受读者的迎接，并且在文学文明界也惹起了很年夜的反应。这些著作中与纳粹统治时代有关的庞杂景象为人熟知，这些景象在小说中对家族变迁和小说人物命运起着决议性的感化。战后家庭回想小说年夜体可分为三个阶段一。 1980年阁下在西德隆盛的父辈文学。其重要内容是“68一代”从列传存在的角度动身对曩昔的反思，对阅历过纳统治时代的父辈们的清理；二。 1989年柏林墙坍毁，器械德同一后，东德文学回想战斗时代和同一前死活流亡、驱赶与被驱赶等梦魇般的家庭故事；三。世纪之交以来涌现的德语新家庭小说，在战斗和年夜屠戮亲历者逐渐谢世而去的时代，用分歧的措施记载纳粹主义和它对全部家族甚至社会的效果。经由过程小说，纳粹时代的家族史被汗青化，作者在回想和重构家族汗青中寻觅自我，并从与家族汗青离别中寻觅新的开端。本文将集中视角于世纪之交以来涌现的新家庭小说。德国新家庭小说重要触及纳粹统治对施害者和受益者两边家庭生涯的连续作用。跟着纳粹时期见证人的谢世，已经在五十多年的时光里对德国记忆文明起着决议性感化的经历记忆也将随之消解。一些70年前后出身的年青作家们拾起和本身家庭前辈有关的自传性经历，运用日志、函件、照片、当局档案等家族史料，德语毕业论文，在此基本之长进行虚拟，弥补家族汗青的空白。这类“接近汗青”、“触摸汗青”、“回到汗青现场”的措施，反应了汗青认识的某种变更。这类新的汗青认识，从世纪之交开端在德国发生愈来愈年夜的作用。新家庭小说中构建的小我和个人身份认同对德国人重建正面的平易近族身份认同和平易近族“正常化”有着积极的意义。经由过程商量年青作家对家族汗青和平易近族汗青的不雅点，有助于了了现今德国的社会意理和德国年夜众对汗青记忆的立场。尤莉亚·弗兰克的小说《午间女人》是一部典范的新家庭小说。2017年，这部小说荣获德国图书奖，并取得中国“21世编年度最好本国小说(2017)”奖。这部著作可以说是依据尤莉亚·弗兰克的家族故事所改编创作的，追溯了家族三代人的命运。论文将以《午间女人》为例，商量世纪之交以来德语新家庭小说是若何从战后第三代人的视角将汗青文学化，若何重构汗青记忆。论文在引言以后起首将论述研究的实际基本。论文彩用德国粹者阿斯曼伉俪(Jan Assmann， Aleida Assmann)的文明、个人记忆实际和Astrid Erll的文学记忆实际和文天职析办法。论文第三段将重点剖析德语新家庭小说，包含它的界说、特点、风行的缘由和若何差别于父辈文学。第四段将分离从小说发生配景、论述者视角转换、代际抵触、性别抵触、个别身份危机等方面剖析小说《午间女人》，商量这部小说若何重构家族史和社会史，从哪些方面论述相符新家庭小说的特点，并剖析小说若何得以从浩瀚家庭小说中锋芒毕露，取得德国图书奖。 Abstract: At the beginning of twenty-first Century, German literature in the impact of globalization, cultural conflict and new media era, a new title from the glow of vitality that is "family". From 2002 Gunter Glass (G nter Grass) the "crab" in the beginning, family history is the title of the literary works such as ray does not stop. For example, Ural? Hahn (Hahn Ulla, 1946) of the novel "Unscharfe" (Bilder) (2003); Uwe? Tim (Timm Uwe, 1940) "Beispiel Meines Bruders Am ()" (2003); Stefan? Wackwitz (Stephan Wackwitz, 1952) family novel "invisible state" (Ein unsichtbares Land Familienroman) (2003); Arnold? Geiger (Arno Geiger, 1968) in the 2017 publication of the novel "we had a very good" (Es geht UNS gut) (2017); Julia Frank (Julia Franck, 1970) the "midday woman" (Mitagsfrau) (2017); Jenny? E Pentti Beck (Erpenbeck Jenny, 1967) of the novel "sudden" (Heimsuchung) (2017), and so on. It is worth noting that the 2017, 2017, 2017, 2017, the German Book Prize: three to separate family novels of Arnold Geiger's "we have a very good", Julia Frank's "woman" Uwe Tellkamp noon, (Uwe Tellkamp) of the "tower" (Der Turm). These novels are not only welcomed by the readers, but also caused a great response in the literary world. These works are well known in the complex scene of the era of the Nazi rule, which have a decisive effect on the family changes and the fate of the characters in the novel. After the war, the family can be divided into three stages. In 1980 your parents in West Longsheng literature. Its important content is the "68 generation" from the angle of reflection on the existence of biographies of the past, the experience of nano era fathers cleaning; two. In 1989 the Berlin wall collapsed, the same equipment Germany, East German literature and the same age of fighting back before death in exile, and was expelled and driven nightmarish family stories; three. Since the turn of the century the emergence of new German family novels, in fighting and killing large witness to death gradually era, with different methods and its effect on all the records of Nazism family even society. Through the process of the Nazi era novels, family history of Khan was green, the author find myself in Retrospect and reconstruction of family history, and looking for a new beginning from the family history and the absence of. This paper will focus on the emergence of new family novels since the turn of the century. Germany's new family novels are important to the influence of the Nazi rule on the family life of the victims and the victims. Following the Nazi witness's death, has been in more than 50 years of German civilization plays a decisive role in memory memory will also experience digestion. Some 70 years before and after the birth of the young writers pick up and their own family related to the Autobiography of the experience, the application of the log, letters, photos, authorities and other family history, in the basic of the virtual, make up for the family history of the gap. This kind of "close to history", "touch history", "back to the history" of the method, the reaction of the historical understanding of a change. This kind of new historical understanding, from the beginning of the turn of the century, the beginning of the century in Germany has become more and more big influence. The personal and personal identity of the new family novels is of positive significance for the reconstruction of the positive people's identity and the "normal" family. Through the process to discuss the young writers on family history and the history of the people of the world, it is helpful to the current German social significance and Germany's position on the history of the world. Julia Frank's novel "midday woman" as a paragon of the new family novels. In 2017, the novel won the German Book Award, and made China "the 21 best national novel (2017)" award. This work can be said to be based on Julia Frank's family of the story of the creation of the family, and traces the fate of the three generations of the family. Taking the "midday woman" as an example, to discuss the turn of the century since the new German family novel is how from the third generation from the perspective of literary history, how to reconstruct the history of memory. In the introduction, the paper will discuss the practical basis of the research. The color of the German scholar Aseman (Jan Assmann, Aleida and Assmann) and the actual memory literature text analytics analysis to civilization and personal memories of reality and Astrid Erll. The third section will focus on the analysis of the new German family novels, including its definition, characteristics, reason and how different from popular literature parents. The fourth section will separate the background, discusses the perspective transformation, intergenerational conflict, gender conflict, individual identity crisis from the novel aspects of novel "midday woman", to discuss the novel how reconstruction of family history and social history, from which aspects are the new features of family novels, and how to analyze the novel from the vast family in the novel 目录: |
