| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 说话是人类停止交换和表达思惟情感的载体，德语论文题目，也是歌颂艺术的基本。歌颂说话是在生涯说话的基本上提炼、加工、成长而来的，然则二者也有差别，重要表现在咬字、吐字的处置上。歌颂中的咬字、吐字是每一个歌颂者都必需进修的最根本的成绩。控制了歌颂中咬字、吐字的办法和纪律从而夸大地去丑化字，如许声响能力作为载体将美转达到听众的心里。歌中的每一个字都活泼生动，富于歌颂性，如许就会有一个完全的艺术抽象。本文起首会引见甚么是咬字、吐字、十三辙及其若何表现在歌颂中。接着第二章就会论述咬字、吐字、十三辙各自的纪律及三者之间的接洽，第三章是本文的重点内容论述了中国歌曲、意年夜利语歌曲、法语歌曲、德语歌曲中咬字、吐字及十三辙的详细应用。本文重点处理的症结成绩是要把咬字、吐字、十三辙运用于外语歌曲中。在自己与导师研究了年夜师们的许多作品和论文以后发明，德语论文范文，由中国戏曲成长而来的十三辙，都天然而然的把它的纪律运用到中国歌曲中，而意年夜利语、德语、法语等外语歌曲都没有表现，其实很多说话都是可以靠十三辙来作说明的。经由过程如许的剖析就可以处理在歌颂中的外语发音艰苦、不会发音和发音禁绝确的成绩，可使我们的歌颂在进修中加倍轻松。这篇论文的研究目标就是进步对人们进修咬字、吐字主要性的熟悉；同时可以增强在进修进程中对歌颂咬字、吐字方面掌握的精确性；可认为声乐扮演理论和教授教养供给一些有用的，可供自创的办法与门路；另外重要经由过程“作声、引腹、归韵”这个简略的形式来进步人们对声乐艺术的爱好。完成论文的进程也是进步和完美的一个进程，也是对歌颂从新熟悉的进程。 Abstract: Talking is the carrier of human beings to stop exchanging and expressing thoughts and feelings, and also the basic of singing art. Sing the praises of the speech is in career talk basically refining, processing, growth and of, however there are differences, it is important to performance in disposal of articulation, articulation. In praise of articulation, each is a praise are required to learn the fundamental achievements. Control the praise in articulation, and discipline to exaggeration to demonize the word, such sound ability as a carrier will turn the United States reach the audience's heart. Every word in the song is lively and lively, and is full of praise, so there will be a complete art abstract. This paper will introduce what is the articulation, and how to sing in thirteen rhymes in. Then the second chapter will discuss articulation, enunciation, thirteen rhymes of the respective discipline and contact. The third chapter is the main content of this paper discusses the detailed use of Chinese songs, Italian songs, French songs, songs in German in articulation, and thirteen rhymes. This paper focuses on the treatment results is the crux to articulation, and thirteen rhymes used in foreign language songs. After the eve of the me and my teacher research division of many works and papers invention, thirteen rhymes by the Chinese drama development, natural and ran to the discipline to the Chinese songs, and Italian, German, French and English songs showed no, in fact, talking a lot are can rely on thirteen rhymes to illustrate. Through process such analysis can handle hard in singing in English pronunciation, not pronunciation and pronunciation inaccurate results, can make our singing in the study of the double easily. The purpose of the study of this thesis is the progress of people learn pronunciation, articulation of familiar; at the same time, it can enhance the in the process of learning to sing the praises of the articulation, articulation to master the accurate; that vocal music play theory and teaching supply some useful, for their own ways and opportunities; another important through process "silent, lead belly, rhyme" this simple form to progress people's love for the art of vocal music. The process of completing the paper is also a process of progress and perfection, as well as the process of singing the praises of the familiar. 目录: 摘要 5-6 Abstract 6 第1章 绪论 8-11 1.1 课题背景及探讨的目的和意义 8-9 1.2 什么是咬字、吐字、十三辙 9-10 1.3 咬字、吐字、十三辙如何体现在歌唱中 10 1.4 本章小结 10-11 第2章 咬字、吐字、十三辙的规律及三者的联系 11-17 2.1 咬字的规律 11 2.2 吐字的规律 11-13 2.3 十三辙的规律 13-15 2.4 三者的联系 15-16 2.5 本章小结 16-17 第3章 在歌唱曲目中咬字、吐字及十三辙的具体运用 17-25 3.1 中国歌曲 17-19 3.2 意大利语歌曲 19-21 3.3 法语歌曲 21-22 3.4 德语歌曲 22-23 3.5 本章小结 23-25 结论 25-27 参考文献 27-29 攻读学位期间承担的科研任务和主要成果 29-30 致谢 30-31 音乐会曲目单 31-33 个人简介 33 |
