| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 反讽诗学在东方文明中有着悠长的汗青传统，而且跟着东方文明的成长而变迁。从最后作为修辞格的非实质反讽成长到18世纪末德国浪漫主义反讽诗学，德语论文网站，反讽进入了实质性反讽的时期。它不再局限于作为一种修辞技能，而是作为一种文学和美学的创作措施，一种人的思想准绳和生计战略涌现在学术实际界。本文重要从以弗·施莱格尔为代表的德国浪漫主义反讽诗学动身来论述反讽是若何作用浪漫主义者们的艺术创作，和德国浪漫主义反讽诗学对人的思想和生计措施的作用。 Abstract: Irony poetics has a long history of the Oriental civilization, but also with the growth of Oriental civilization. From the last as figures of speech of nonparenchymal irony grow to at the end of the 18th century German Romantic Irony poetics, irony into a period of substantial irony. It is no longer limited to the creative method as a kind of rhetoric skill, but as a kind of literary and aesthetic creation method, a kind of people's thinking criterion and Livelihood Strategy emerging in the academic field. This article from Epher, Schlegel, represented by Germany romantic ironic poetics start to discuss irony is how to affect the romanticism of artistic creation, and of the German Romantics ironic poetics of human thought and the livelihoods approach. 目录: 内容摘要 3-4 Abstract 4 引言 6-11 一、德国浪漫主义反讽诗学形成的社会思想基础 11-16 二、德国浪漫主义反讽诗学的本质 16-23 (一)认识和真理的关系 17-19 (二)艺术家和创作素材的关系 19-23 三、反讽对德国浪漫主义文学创作的作用 23-36 (一)文学艺术创作题材 23-26 (二)文学艺术创作主体 26-30 (三)文学艺术创作形式 30-36 结语 36-39 参考文献 39-42 后记 42-43 |
