| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，德语论文，内容请直接查看目录。） 德国表示主义是东方古代美术史上的一朵奇葩,它风行于十九世纪末二十世纪初的德国,并在欧洲文明界各个范畴发生了极年夜的作用。其绘画发生于对传统艺术的反水,表现了绘画情势说话的冲破并对古代艺术的情势成长做出史无前例的进献。德国表示主义绘画重视调动一切情势身分和说话出现艺术家心坎真实的情绪理念,转达画面深入的内在。力图在画面中发明一种强无力的情势意味,使分歧分支的德国表示主义画家积极摸索分歧作风偏向的用笔。晚期的德国表示主义画家以他们对绘画艺术史无前例的寻求和勇气,付与了画面奇特的情势意味。笔触的表示特殊诠释着他们对表示主义绘画的懂得和理论进程。对笔触的存眷和摸索,充足施展其伟大的冲击力,可以说在很年夜水平上造诣了晚期阶段德国表示主义绘画奇特的艺术价值。本文起首从德国表示主义绘画笔触作风构成的源流动手,剖析德国表示主义各分支绘画笔触的特征,偏重点以几位典范的晚期的德国表示主义画家的笔触为例,经由过程对其特色、构成缘由及其发生的艺术价值等多角度的深刻略论,指出绘画笔触应经由过程直觉与理论相同一的措施,特别重视在直觉感官引诱下停止感性地理论摸索,对终究画面完成深层审美境地的转达有相当主要的感化。 Abstract: German doctrine is an exotic flower in the history of oriental ancient art. It became popular in Germany in the late twentieth Century and early nineteenth Century, and has had a great influence on the various categories of European civilization. The painting occurred in the defection of traditional art, shows the situation of painting speak break and of ancient art situation development and make the unprecedented contribution. Germany says modernism drawing attention to mobilize all forms of identity and talk artist heart true emotion philosophy, to convey deeper into the picture of inner. Trying to in the picture in the invention a powerful situation means that the bifurcation branches of the German said the pen painters and actively explore a different style of bias. The later German said painters to them on the art of painting unprecedented seeking and courage, entrusted means a strange picture of the situation. Brush strokes of the special interpretation of the representation of their understanding of the theory of painting and the process of theory. The attention and exploration of the brush strokes, enough to display their great impact, it can be said that in a very large level of knowledge of the advanced stage of Germany, said the art value of the art of painting. In this paper, first of all, from the German said realism painting brushwork style constitute the origin of hands-on, analysis of German doctrine of the various branches of the brush strokes feature representation and partial key to several typical advanced German said painters strokes, for example, through the profound analysis of the process of its characteristics, forms the reason and the artistic value of the angle. It is pointed out that brush strokes should be through intuition and theory of the same method, special attention in sensory intuition to lure the next stop perceptual theory exploration, deep aesthetic realm eventually picture convey have very important sense. 目录: 摘要 4-5 Abstract 5-6 引言 8-9 第一章 德国表现主义绘画与笔触 9-15 1.1 表现主义思潮的源流及德国表现主义绘画的形成 9-13 1.1.1 表现主义思潮的源流 9 1.1.2 德国表现主义绘画的形成及分支 9-13 1.2 德国表现主义绘画的笔触风格 13-15 1.2.1 具象表现倾向与抽象表现倾向 13 1.2.2 早期表现主义绘画中的笔触 13-15 第二章 德国表现主义早期绘画笔触的形成及特征 15-29 2.1 早期绘画笔触风格的形成 15-16 2.1.1 外来因素的借鉴 15-16 2.1.2 民族传统及个性的异同 16 2.2 早期绘画个人笔触特征略论 16-29 2.2.1 宗教情怀的释放--诺尔德著作略论 17-20 2.2.2 冷峻奔放的直觉表达--罗特鲁夫著作略论 20-25 2.2.3 锐利强烈的本真抒发--基尔希纳著作略论 25-29 第三章 德国表现主义早期绘画笔触的艺术价值 29-32 3.1 德国表现主义早期绘画笔触的写意精神 29-30 3.2 早期绘画笔触对现代艺术创作的启示 30-32 结语 32-33 致谢 33-34 参考文献 34-36 附录 36 |
