从弗·施莱格尔的文艺理论看德国浪漫派精神[德语论文]

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从弗·施莱格尔的文艺实际看德国浪漫派精力本文从诗论、神话论、小说论、文学批驳的理论等方面来梳理弗·施莱格尔的文艺实际思惟,企图从中见出德国浪漫派的精力,和对于文学创作和人们生涯的作用。本文共分四章第一章,弗·施莱格尔的诗论。第一节,施莱格尔的晚期诗论。这是异日后所提出的浪漫主义实际的精力渊源。他提出近代诗作为表示艺术表示幻想寻求无穷,这类带有奇特特性、表述风趣哲理的幻想主义诗被定名为教喻诗,它的力气来自看不见的深处。这些结论现实上可以看做是浪漫派实际的发端。第二节,对于浪漫诗的研究。弗·施莱格尔对浪漫诗的描写带有诗意的想象与夸张,是诗人充斥灵感和热忱的歌颂,而不是鄙人一个严谨的学术界说。如许的结论不是作者一时诗兴勃发随手记下的随感,其实有着相当深入的缘由。第二章,施莱格尔论诗的中间和变体。第一节,施莱格尔论诗的中间--神话论。古代诗缺乏一个像神话之于现代史诗那样坚实的中间,故此古代诗从基本上就不及现代诗。急切须要人们配合尽力发明出新的神话。新神话既是著作的温床又是魂魄,它将依照唯物主义的形式离开人间接收光彩任务,不只是艺术,迷信也须要神话的天然不雅。诗是神话的转达对象。第二节,施莱格尔论诗的变体--小说论。在弗·施莱格尔那边小说本质上是浪漫诗的变体。以机灵、滑稽见长又达不到真正艺术的小说是天然诗,以想象的情势描写感伤的资料是浪漫的,有神圣的灵气和无穷的实质。浪漫的焦点是莎士比亚。小说与戏剧很少差别,是论述、歌颂和其他情势的混杂体。弗·施莱格尔本身的创作长篇小说《路琴德》,艺术情势丰硕多彩,否决僵硬框架。第三章,施莱格尔的文学批驳理论。第一节,对汗青上诗作的评析。欧洲的泉源在希腊,诗与哲学的融合这时候曾经开端了。罗马诗是品德评判,而不是艺术。向新时期过渡的阶段,涌现意年夜利的三巨子但丁、彼特拉克、薄伽丘。厥后的塞万提斯和莎士比亚是真实的浪漫诗的代表。诗的汗青恰是一所优秀的诗的黉舍,各个汗青时代分歧平易近族的巨大诗人就是这所黉舍的先生。这是文章的目标。第二节,对歌德著作的评析。歌德著作是浪漫的范例,弗·施莱格尔非常推重,对其停止剖析。纵不雅歌德的创作,从年青时全凭豪情的创作到融汇了先贤优点的成熟期,《浮士德》和《威廉·麦斯特》使歌德成为但丁和莎翁一样的大师,他一步一步迈向了永久。第四章,施莱格尔文论的作用和评析。第一节,施莱格尔文论的作用。许多浪漫派作家创作童话式的小说,都是在神话实际指点下完成的。受浪漫学说作用的文学著作,在德国以霍夫曼为最。第二节,对施莱格尔文论的评析。浪漫诗的意义,凸起审美对发蒙古代性的改革。把愿望依靠于诗,从这时候起诗不再只是文学著作的一种文体,诗被本体化,具有本体的意义,到达一种高度的综合,可以或许掌握永久,付与诗歌解救的功效,弥合决裂的抵触,搜罗万象的诗从决裂走向一体。诗人成为豪杰。

Abstract:

From Friedrich von Schlegel art actually watching the German romantic energy this paper from the poetics, mythology, novel theory, literature criticism theory to comb Friedrich von Schlegel's literary theory thoughts and attempt to the see the German romantic energy, and on the literary creation and the people life. This paper is divided into four chapters: the first chapter, the Poetics of F Schlegel. The first section, the late Schlegel's poetics. This is the origin of the proposed energy future after the actual romantic. He put forward the modern poetry as art said fantasy for infinite, this class with characteristics peculiar and interesting philosophical idealism poetry expression was named Yu taught poetry and its strength from depths not seen. These conclusions can be seen as the real beginning of the romantic school. The second section, the discussion about the romantic poem. Friedrich von Schlegel of romantic poetry description with poetic imagination and exaggeration, is a poet full of inspiration and warmly praise, and not in a rigorous academic definition. This conclusion is not the author of a thriving poetic notes under the impression, actually has a very in-depth reason. The second chapter, Schlegel poems and variants. The first section, the middle Schlegel poems -- on myth. In ancient times, the poem lacks a solid middle, like the modern epic, so the ancient poetry is not as far as the modern poetry. Eager to cooperate with people to invent a new myth. A hotbed of new myth is not only works and is the soul, it will in accordance with the form of materialism left the world receive glorious task, art is not only, the superstition also need the myth of natural indecent. Poetry is a myth of conveying objects. In section second, the form of novels -- Schlegel. In F Schlegel's novels, the novel is a romantic poem. With witty, funny Kyo and reach true art of fiction is natural poem, to imagine the situation describing sentimental data is romantic and sacred aura and infinite essence. The romantic focus is Shakespeare. The difference between the novel and the drama is the mixture of the discourse, the song and the other forms of the situation. F Schlegel's own creation novel "Lu Qinde", the artistic form of rich and colorful, veto a rigid frame. The third chapter, Schlegel's theory of literary criticism. The first section, the analysis of the history of poetry. The springs of Europe in Greece, and the integration of poetry and philosophy had begun at this time. Rome poetry is a moral judgment, not an art. To the new era of transition stage, the emergence of Italy, Pytlak, Bio, Dante three giant. Later, Cervantes and Shakespeare are representatives of real romantic poetry. The history of the poem is a good poem of the school, the great poet of the different people of different historical times is this school, mr.. This is the goal of the article. The second section, the analysis of Gerd's works. The works of Gerd's romantic paradigm, F Schlegel is very heavy, carries on the analysis. Longitudinal indecent Goethe's creation, from youth depends on the passion of creation to fathers, integrate the advantages of maturity, "Faust" and "Wilhelm Meister" Goethe as Dante and Shakespeare as the master, he step by step towards a permanent. The fourth chapter, the influence of Shilaigeerwen theory and analysis. The first section, the influence of Shilaigeerwen. Many romantic writers create fairy tale novels, which are completed under the guidance of the myth. The literary works that are influenced by the romantic doctrine, in Germany, Hoffman is the most. The second section, the analysis of Shilaigeerwen theory. The significance of romantic poetry, the uplift of the aesthetic of the Mongolia generation of reform. The desire to rely on in poetry. From this poem is no longer just a style of literary works, the poem is ontology, ontology significance to reach a highly integrated, can perhaps grasp permanent rescue entrusted with the poetry of efficacy, break bridge resistance, collecting poetry in Vientiane from break to integration. The poet become a hero.

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