魔幻现实主义在中国一分析魔幻现实主义与莫言文学风格的差异[西语论文]

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魔幻现实主义中国分析魔幻现实主义莫言文学风格差异Magic realism in China: an analysis of the similarities and differences between magic realism and Mo Yan s literary style

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二十世纪前期中国小说获得的成长得益于与本国文学的赓续交换和碰撞。这个中,拉丁美洲魔幻实际主义文学与欧美古代派文学对该时代的中国小说发生了主要而深入的作用。从拉丁美洲魔幻实际主义文学的角度而言,它在中国的流传与接收进程中不只直接增进了中国该时代主要的文学派别--“寻根”文学的发生,并且丰硕了中国小说的创作,西语论文题目,增进了体裁认识的觉悟。无须置疑,魔幻实际主义文学对上世纪前期中国小说所发生的明显作用力,西语论文范文,为我们对两者之间的比拟研究供给了根据和能够,但也让我们思虑其带来的成绩,例如全球化与外乡化,传统与古代的博弈等,这些不只是魔幻实际主义文学与中国小说之间的成绩,也是我国文学在接收、自创本国文学时必需面对思虑的成绩。是以,对上世纪末期中国小说与拉丁美洲魔幻实际主义文学的比较研究是有实际意义的。本文依据比拟文学及其办法,商量了魔幻实际主义文学对该时代中国小说的作用,并对二者做了差异比拟。本论文共分为七个部门。引言对魔幻实际主义作了扼要引见,商量了它在中国的作用现状并剖析了本文的撰写念头。第一章构建了论文的实际框架。第二章阐述了魔幻实际主义的发生及成长,并对国外对该派别的研究及国际存在的争议做了必定查询拜访研究。第三章深刻商量了该文学派别在拉丁美洲的成长,并对代表作家及著作做了过细剖析,以使读者懂得魔幻实际主义的详细特点。第四章则对魔幻实际主义在中国的流传到接收的进程停止了剖析。最初一章,在比拟文学的基本上,对加西亚·马尔克斯和中国作家莫言的详细著作做了比较剖析,以理清魔幻实际主义文学及其离开中国以后构成的文学作风的差异点。结语解释魔幻实际主义文学与它离开中国阅历变异发明后的文学作风之间确切存在明显的分歧。

Abstract:

In early twentieth Century Chinese novels to have benefited from the growth of continuously exchange and collision with domestic literature. In this process, Latin American magic realism literature and European and American literature on the times of Chinese novels have a major and profound impact. From the Latin American magical realism literary perspective, it Chinese spread and the receiving process not only directly promoted the main literary faction of the era Chinese -- "roots" literature, and the rich Chinese novels, enhance the understanding of the genre awareness. Without a doubt, obvious influence of magical realism literature of the last century in the early Chinese novels, as we in between the two comparative study has provided the basis and can, but also let us consider the achievements, such as globalization and localization, the traditional and ancient game, these are not just between the magic realism literature with Chinese novel results, is also China's literature in the receiving, own own literature must face thought achievement. It is of practical significance for the comparison between Chinese novels and Latin American magic realism in the last century. This paper, based on the comparison of literature and its method, discussed the influence of magic realism literature on Chinese novels in this period, and made a comparison between the two. This thesis is divided into seven sections. In the introduction, the magic realism is briefly introduced, and the influence of it in China is discussed. In the first chapter, the paper constructs the practical framework of this thesis. The second chapter expounds the occurrence and development of magic realism, and makes sure that the research and international presence of the school's research and international disputes must be studied. The third chapter discuss the profound literary factions in Latin America's growth, and the representative writers and works done meticulous analysis, to enable readers to understand the detailed features of magical realism. The fourth chapter has carried on the analysis to the magical realism in the Chinese spread to the receiving process. In the first chapter, the author makes a comparative analysis of the works of Garcia Marcos and the Chinese writer Mo Yan, in order to clarify the similarities and differences of the magic realism literature and the literary style which is composed of the Chinese writers and Chinese writers. The conclusion explains that there are obvious differences between the magic realism literature and the literary style which has left the Chinese experience variation.

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