| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 本文重要透过肯尼斯·克拉克的《人体：一种幻想情势研究》[The Nude A Studyin Ideal Form]、《文明》[Civilisation A Personal View]和《莱奥纳尔多·达·芬奇》[Leonardoda Vinci]等作品，试图展示出克拉克独具小我魅力的艺术史写作描写，在此基本上勾画出他的艺术思惟，并论述其作为英国艺术史家与德语国度艺术史学者研究办法的分歧的地方。克拉克恰是在他看似没有系统的系统傍边，发明了一种在艺术史研究中永久可使我们自创的“说话”典范。对于他艺术史写作的主要性与研究价值也在于此。克拉克与伯纳德·贝伦森[Bernard Berenson]、罗杰·弗莱[Roger Fry]等有名艺术史家关系亲密，德语论文网站，并非常推重沃尔特·佩特[Walter Pater]、约翰·拉斯金[JohnRuskin]的实际与写作技能；他深受与他同时期的阿比·瓦尔堡[Aby Warburg]、西格蒙德·弗洛伊德[Sigmund Freud]等人的作用--但克拉克仿佛没有表示出成系统的艺术史写作办法。在用德语国度艺术史研究所推重的办法论剖析艺术著作时，他从不将它们运用至极端。他的写作充斥了性命的活气，经常启示着人们用新的眼力去对待艺术，唤起人们对艺术的热忱。他凭仗对艺术著作的敏理性、丰硕的想象力与洞察力，德语毕业论文，将其对艺术著作亲身的体验，透过汗青的框架，以活泼的说话转达出来。迄今仍在国际外艺术史界发生着深远的作用。 Abstract: Tries to show a Clark unique personal charm of art history writing description a of of this paper by Kenneth Clark, the human body: a fantasy situation research "the nude a Studyin ideal Form]," civilization "[Civilisation a personal view and the Leonardo Da Finch [Leonardoda Vinci] works. And in the basic sketch out his artistic thinking, and discusses its place as the differences of British art historian and German national art history scholars research methods. Clark is exactly what he seems to have no system of the system sideways, invented a in art history research in permanent can make our own "speak" model. This is the main research value of his art history writing. Clark and Bernard Berenson [Bernard Berenson], Roger Fry [Roger Fry] etc. famous art historian relationship intimacy, and are very esteem Walter and Walter Pater [Walter Pater], John - John Ruskin [JohnRuskin] and writing skills of; he was greatly influenced by the influence of his Abbey in the same period, Warburg [Aby Warburg], Sigmund Freud [Sigmund Freud] et al -- but Clark seemed to show no system of art history writing methods. In the German states to study art history of methodology to analyze the heavy works of art, he never apply them to the extreme. His writing is full of the vitality of the life, often inspires people with a new vision to treat art, to arouse people's passion for art. He Pingzhang to works of art of sensitive rational, rich imagination and insight, the works of art personal experience, through the history of the framework, with lively talk conveyed. So far, there is a profound influence in the history of the world. 目录: 摘要 5-6 Abstract 6 引言 7-11 第一章 没有体系的体系--肯尼斯·克拉克的学术背景 11-21 一、 古典传统的新统一 11-14 二、 传承与超越 14-18 三、 有限中的无限 18-21 第二章 传统史学语言的新元素--肯尼斯·克拉克的艺术理念 21-28 一、 趣味与美感 21-24 二、 隐藏中的欲念 24-28 第三章 《人体》--个人成就（一） 28-42 一、 《人体》与“裸体” 28-35 二、 圣体的议论 35-38 三、 宇宙的秩序 38-42 第四章 《文明》--个人成就（二） 42-48 一、 精神与特质 42-45 二、 伟大的传奇 45-48 结语 48-50 附录 50-55 参考文献 55-57 致谢 57 |
