| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 赫尔曼·黑塞(1877一1962)，20世纪上半期主要的德语作家。1946年，因其著作所表现的“洞察力与灵感”成为诺贝尔文学奖取得者。他是一生一向写着有对于本身际遇的作家，被雨果·巴尔称为“浪漫派光线四射行列中最初一名骑士”。在黑塞的整体创作中，梦乡、理想、儿童与童年，均是其重复描述的主题一这组成黑塞式的叙事作风中，很有特点的“童话化”与“魔术性”。童话与儿童主题在文学史传统中是习以为常的，个中不乏佼佼者，如，被尊奉为“完善魔术师”的安徒生。在黑塞的文学世界里，童话不只表现在相干的体裁创作上，还表现在创作理念中，德语论文，构成以“诗人、魔术、精灵”为组成，出现出富有浪漫颜色的“童话不雅”。这位平生中赓续自我检查的生长型作家在创作上对理想一直抱有热情的趋骛“还有哪位20世纪的成熟作家还在创作童话？”或许只要这位心爱的诗人吧。黑塞将“童话不雅”泛化至小我的全体创作中，表现出作风奇特的童话叙事，他将这一技能奉为文字的“魔术”。而黑塞自称，在妄想成为诗人之前的幻想职业是魔术师。所以，黑塞暮年的《玻璃球游戏》更像一部宏大的童话著作，是诗人将终生商量自我追求之路，投射到虚拟此岸的现象。究竟，黑塞的情味是绝对私化的。藉黑塞在《我的传略》中所跪拜的那样，德语论文网站，在此向莫扎特的《魔笛》致敬! Abstract: Hesse Herman (1962 a 1877), the first half of twentieth Century the main German writer. In 1946, the "insight and inspiration" of his works became the Nobel prize for literature. He is life always write about fortune writer, called Hugo Barr "romantic light radiant ranks the first knight". In the whole creation of Hesse, dreams, ideals, children and childhood, are the theme of the repeated description of a Hesse style narrative style, the characteristics of the "fairy tale" and "magic"". Fairy tales and children's theme in the history of traditional literature is accustomed, midsized leader, was enshrined as "the perfect magician" Andersen. In the literary world of Hesse, fairy tale not only the performance of coherent genre, is also reflected in the creative concept, constitute to poetry, magic and elves for composition, rich romantic color of the "fairy tale indecent." The life continuously self check the growth of type writer in the creation of ideal cherished enthusiasm to hasten the greedy "and which the 20th century mature writers also fairy tale creation?" Perhaps as long as the beloved poet. Hesse will "fairy tale" generalization to the ego of the whole creation, showing a unique style of fairy tale narrative, he will this skill as a text of "magic"". But Hesse claims to be a magician before he becomes a poet. So, Hesse twilight of the glass bead game "more like a grand fairy tales, poet to a lifetime to discuss self seeking road, projected onto the virtual shore phenomenon. On earth, Hesse's touch is an absolute private. By Hesse genuflected in "my biography" in that way, in tribute to Mozart's "the Magic Flute"! 目录: 论文摘要 3-4 Abstract 4 引言 6-8 第一章 童年的魔术师与彼岸的诗人 8-18 1.1 梦:童年的魔术师 9-13 1.2 虚构:彼岸的诗人 13-18 第二章 童话创作与童话观 18-32 2.1 创作:模仿、投射与镜象 18-27 2.2 童话观:骑士精神与视角僭越 27-32 第三章 童话与魔术的隐喻 32-46 3.1 魔王与《骏马山庄》:儿童临终的主题 32-37 3.2 魔笛与《荒原狼》:音乐性的诗化 37-41 3.3 魔山与《玻璃球游戏》:德国式寓言 41-46 结语: 属于诗人的彼岸 46-47 参考文献 47-51 致谢 51 |
