| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 德国新表示主义发生于20世纪70年月至80年月初。其代表画家所创作的艺术著作作风悬殊、各具特点。著作都出现出“反水”以后艺术潮水的整体特点--让笼统回归具象。本文从德国新表示主义代表画家的绘画说话特点切入，剖析与总结德国新表示主义的绘画说话特点，再从平略论其出现出的精力内在，最初总结德国新表示主义对绘画艺术发生哪些作用。文章共分三部门来停止剖析与概述。第一章：总结与剖析出巴塞利兹的绘画说话特点是“倒置”与“变调”、伊门道夫的绘画说话特点是“政治”与“汗青”，基弗的绘画说话特点是“废墟”与“文字”、彭克的绘画说话特点是“涂鸦”与“符号”；第二章剖析了德国新表示主义绘画特点出现出的精力内在--直面汗青的精力，“反水”与“发明”的艺术精力；第三章总结了德国新表示主义绘画对器械方绘画艺术的作用。德国新表示主义的绘画说话特点作用了后古代艺术的成长，使传统的架上绘画又从新回到人们的视野，德语论文网站，德语论文范文，对于传统绘画来讲，这具有里程碑式的意义。而着眼中国当下社会，充斥着各类各样的数字艺术，传统的架上绘画艺术早已掉去往日的光辉，这与德国新表示主义所发生的时期配景有类似的地方。本文的研究目标是为了进步人们对艺术的懂得水平，弥补该方面的材料，以期对中国架上绘画的成长有所脾益。 Abstract: German new doctrine occurred in twentieth Century 70 years to 80 years early. On behalf of the artist's works of art, the style of the artist's works are of great disparity, each with its own characteristics. The works have shown a "defection" after the art of the whole characteristics of general regression to concrete. This paper from the new German said principle representative painter painting speech characteristic of starting, analysis and summary of the new German said painting of the doctrine of speech characteristic, from the flat analysis, the inner energy, initial summary of Germany said the new doctrine of the art of painting what effects. The article is divided into three departments to stop the analysis and overview. The first chapter: summary and analysis of Baselitz's painting speech characteristic is "upside down" and "tone", immendorff painting speech characteristic is "politics" and "history", Kiefer painting speech characteristic is "wasteland" and "text, penck painting speech characteristic is" graffiti "and" symbol "; the second chapter analyzes the new German said realism painting characteristics of energy internal energy to face the history," defected "and" invented "the spirit of art; the third chapter summarizes the Germany said the new realism painting influence on the instruments and Western painting. The characteristics of the new representation in Germany have influenced the development of the ancient art, which made the traditional painting and the new people's vision. And focus on China's current society, filled with all kinds of digital art, traditional painting art has long lost the glory of the past, this time with the German Neo doctrine occurred during the king has a similar place. The aim of this paper is to improve people's understanding of art, make up the material, in order to improve the growth of Chinese painting. 目录: 摘要 4-5 ABSTRACT 5 绪论 8-10 一 德国新表现主义画家的绘画语言特征 10-19 （一） 乔治·巴塞利兹--“颠倒”与“变调” 10-12 1 颠倒的绘画 10-12 2 “变调”的艺术 12 （二） 约格尔·伊门道夫--“政治”与“历史” 12-14 （三） 安塞姆·基弗--“废墟”与“文字” 14-17 1 废墟艺术 14-15 2 文字在基弗绘画中的运用 15-16 3 综合材料的应用 16-17 （四） A.R.彭克--“涂鸦”与“符号” 17-19 二 德国新表现主义绘画语言特征的精神内涵 19-26 （一） 直面历史的精神 19-20 （二） “反叛”与“创造”的艺术精神 20-24 1 让绘画回归画布，让抽象回归具象 21-22 2 约瑟夫·博伊斯的作用 22-24 （三） 以绘画的方式书写历史 24-26 三 德国新表现主义绘画对西方以及中国油画艺术的作用 26-29 （一） 对西方艺术创作观念的作用 26-27 （二） 对中国油画艺术的作用 27-29 结论 29-30 参考文献 30-32 致谢 32-33 攻读学位期间的学术论文 33-34 |
