| （摘要内容经过系统自动伪原创处理以避免复制，德语论文，下载原文正常，内容请直接查看目录。） “资料”的参与,是艺术成长到古代的主要特点。从空气到时光,从一粒尘土到全部地球都曾经被归入到可以发明性运用的“资料”领域以内。跟着古代科技成长,艺术家所用的资料有了更辽阔的规模,从天然物品到人工成品,从生涯用品到工业产物,这些非绘画性资料与传统资料综合起来,一切皆可为艺术所用。个中“软性资料”,如：毛皮、丝绸、纤维、绳子、腊、液体、衣物、泥沙、肉屑等等差别于硬性资料,既作为纯真物资性的表示序言,同时也作为自力的艺术说话被艺术家运用。二战后的东方社会,随同着本钱主义成长的第三阶段即多国化本钱主义的到来,和第三世界国度的涌现,东方文明艺术界阅历了由战后的“荒野”过渡到新的文明殖平易近主义阶段。德国激浪派出生在20世纪60年月中期东方艺术界广泛的反艺术海潮中,采用聚会会议、游行、扮演的措施,打破各门类艺术界线的综合偏向,谢绝古代艺术无穷自律化、边沿化,挑衅艺术特权化,主意艺术与生涯的再接触,表达对艺术没法直接介入社会生涯的焦炙。激浪派活动既是东方艺术史中约束与束缚的掘墓者,更是断裂与延续的继续者。软性资料被激浪派艺术家普遍运用,其本身的“温顺”的软性物理特点却与其所承载的反艺术语境下的反传统,反特权,反精英的文明属性激烈抵触。本文试图经由过程对激浪派艺术著作中软性资料的运用特色停止剖析,落脚于本身的资料创作理论与摸索。在接收自创国际外优良艺术家对软性序言运用技能的基本上,就软性资料的界说、若何从资料自己特征动身,联合本身想要表达的艺术理念,评论辩论艺术资料的思想熟悉,进而思虑资料艺术情势自己,回想本身的创作的进程,商量软性资料作为自力说话与视觉主题的审美价值,文明内在和精力意义。对本身理论摸索中的心得与掉败停止总结并就软性资料在综合绘画中若何运用提出测验考试性的建议。 Abstract: The participation of "data" is the main feature of the development of art in ancient times. From the air to the time, from a grain of dust to all the earth have been classified into the "information" field of the invention can be applied. Along with the development of modern science and technology, artists have more vast scale, from natural objects to the artificial product, from career activities to industrial products, taken together, these non painting materials and traditional materials, everything can be used for art. Medium soft materials, such as fur, silk, fiber, rope, wax, liquid, clothing, sediment, meat scraps, etc. difference in hard data, both as pure material representation of the preamble, but also as spoken by the artist application independent art. After the Second World War, the Oriental society, along with the emergence of the growth of capitalism of the third stage that is the advent of multinational capitalism, and the third world countries, Oriental civilization art experience the transition from post-war "wilderness" to the new civilization colonial nearly "stage. Germany Fluxus was born in the 20th century mid-1960s Oriental art circles widespread anti art tide, the meeting, procession and playing method, break all kinds of Arts line integrated bias, declined to ancient art infinite self-discipline, the edge and provocative art privilege, idea of art and career re contacting, expression of art can not be directly involved in social life of anxiety. Fluxus art history is bound constraints and activities in the East gravedigger, is the successor to rupture and continuity. Soft data by Fluxus artist universal application, itself "meek" soft physical characteristics is its carrying the anti art in the context of anti tradition, anti espionage in, anti elite cultural attributes fierce resistance. This article attempts through the surf sent the application of soft information, works of art characteristic analysis, settled in itself creation theory and exploration. In receiving created the excellent artists on the application skills of soft preface basically, soft data definition, how to set out from the material characteristic, familiar with the ideas of the joint itself to express the concept of art, reviews the debate art data and consider data art situation, recall the creation process, discuss the soft data as self talk and the subject of visual aesthetic value, cultural connotation and energy significance. On their own theoretical exploration of the experience and failure to summarize and the soft information on the application of comprehensive painting how to put forward the proposal to test. 目录: 摘要 4-5 Abstract 5 目录 6-8 一 绪论 8-12 1.1 材料与绘画的相遇 8-10 1.2 软性材料的定义 10-12 二 激浪派著作中的软性材料 12-17 2.1 德国激浪派发展简述 12-13 2.2 德国激浪派诞生的历史契机 13-14 2.3 激浪派代表艺术家对软性材料的使用 14-17 三 对激浪派软性材料使用的借鉴与自身创作实践 17-22 3.1 从软性材料本身特性出发 18-19 3.2 将特定软材料作为特定艺术观念的载体 19-21 3.3 避免多种材料的堆砌、关注材料使用的环保性 21-22 四 毕业创作中软性材料的尝试 22-27 4.1 构思与主题遇到的困难 22 4.2 第二方案的调整 22-27 结语 27-28 参考文献 28-29 致谢 29 |
