The stone artworks have developed mainly based on the pagoda located in GyeongJu, unified Silla area. From the 9th century, through the nationwide spread, they have diversified and manufactured various stone artworks with local features. Especially... The stone artworks have developed mainly based on the pagoda located in GyeongJu, unified Silla area. From the 9th century, through the nationwide spread, they have diversified and manufactured various stone artworks with local features. Especially, in accordance with the introduction of various types of stone artworks, they near Mt. Jiri show universality and specialty at the same time. Also it has understood that they spread transformed special style out nearby areas. In this study, the stone artworks near Mt. JiRi has been considered by separating phase Ⅰ and Ⅱ. Phase Ⅰ artworks near Mt. JiRi are pagodas and stone lanterns manufactured around 800∼840 years. It has verified that east & west three-story stone pagodas of Dansoksa temple site in Gyeongsang Provinces has primarily introduced the style of the stone pagodas in GyeongJu area. It became the source constructing the stone pagodas with GyeongJu style in NaeWonSa, DaePoRi and BumHakRi near Dansoksa. In Hwaeomsa temple, however, the stone pagoda with local specialty is manufactured as opposed to it. Typical example is the three-story stone pagodas decorated with 4 lions in Hwaeomsa temple. This stone pagoda is regarded as the realization of the contents in the sacred book for the first time. The stone lantern in shape of human figure, standing next to the pagoda, is the only stone lantern of phase Ⅰ. It seems that modification of style has happened from the basic octagon shape. Both the stone pagoda and lantern have manufactured based on the Avatamska Sutra. Considering the locations of two artworks, it is understood that the pagoda had built in prior to the lantern. The time period of Phase Ⅱ is 841∼900 year. Because of various stone artworks, this phase attracts attention. In this study, it is verified that the various artworks came from manufacture of stupa and stele with inflow of Zen Buddhism. In case of stone pagoda, change of style based on Gyeongju style of phase Ⅰ is found. Also this change can be found in the three-story stone pagoda in Samjangsa temple site and east & west Three-story stone pagodas in Silsangsa temple. At the phase Ⅱ, single stylobate and triple floor stylobate have appeared because of change style in stylobate from phaseⅠ. It has found that special stone pagodas are manufactured in Baekjangam Hermitage and Hwaeomsa Temple. A pagoda, imitating the three-story stone pagoda with 4 lion statues in the Hwaeomsa Temple, was built in this temple. This pagoda’s whole surface is decorated like the pagoda in Baekjangam Hermitage. In case of stone lanterns, this study separated them into general type and hourglass-drum shaped type and figured out the reason why the transformation happened in the stylobate part of stone lantern. And then, the study investigates the features of hourglass-drum shaped stone lanterns unlikely general type and check the changes were made based on absorb and compromise of general Gyeongju style. Stupa of Buddhist is monumental stone artworks which celebrating the founder of a Buddhist Zen temple and death of Zen monk. Among a lot of stupas of Buddhist in unified Silla era, I verified 5 models in Mt. JiRi area which is the largest number of cases. I studied steles by separating into 2 types. As steles of type 2 in Royal Tomb of king TaeJongMuyeol is not found after Stele of Buddhist Monk Jeunggak at Silsangsa temple, type 1 stele became popular. Also I studied cultural excellence of Mt. JiRI area through universality and specialty of stone artworks in this area. In case of universality, I studied the style of stone artworks in same time and area. Nationwide sharing of various bases is understood as universal case. Also I studied common factors of magnificence in stone artworks mainly focused on its position and reason. We can see that stone artworks follow the teaching of sacred books as well as keeps splendor and magnificence as it contains small crystals from Buddha and Buddhist monk. I divided specialty into 5 parts. First, to understand stone pagodas with specialty, I need to find universality in this area. To do this, I verified that early GyeongJu style has introduced in SanChung, Gyeongsangnam-do area through HeaNam-Road which is main road. Especially, it is ascertained that the example of stylobate with 4 lion statues at Hwaeomsa temple pagoda relates the stylobate at Dabotop of the Bulguksa Temple and the figures supporting the upper. Also the decorated surface of the stone pagoda in Beakjangam seems to be adopted from Hwaeomsa temple pagoda. This expression is a converged result from the doctrinal background of the Zen sect of Buddhism, Huayan school, esoteric Buddhism and the figures supporting the upper in China. Second, from the diversification of stone artworks stylobate, there is the transform like single stylobate, triple floor stylobate, stylobate with 4 lions, hourglass-drum shaped lantern and human figure shaped lantern. This change is regard as an expression of regionality to pursue the fundamental principle of a religion or the novelty. Third, I studied features of wooden structure in the stupa and Three-story stone pagoda at Baekjangam Hermitage. I found all of them is to describe the palaces of Buddha written in the sacred book. Fourth, as stupa of Buddhist and stele is manufactured in the Zen Buddhism temple near Mt. JiRi, typical style of Stupa of Buddhist Monk Yeomgeo has introduced. I studied the standardization of stupa of Buddhist by using Taeansa temple stupa of Buddhist & stele and its influence to stupa of Buddhist & stele manufactured later. Fifth, I studied features of Mt. JiRI divided by JeonRa province and Gyeongsang province. In case of Gyeongsang area, GyeongJu style has introduced through HaeNam-Road second route. But in case of JeonRa area, the style has changed with creative styles. It seems that manufacture of creative stone artworks in JeonRa area is expression of technical skills accumulated from the earlier days. Also I understood that new style such as Three-story stone pagoda with 4 lions in HwaEumSa is the result of harmony of cultural character, influence of China and background of ideas. Also, it is considered that the stone lantern in shape of human figure implements Goryeo Dynasty after moving on Geumjangam site. This movement is not the lantern in shape of priest figure but the stone kneeling position Bodhisattva image. And this study regards the special phenomenon of the stone artworks in Mt. Jiri area as the expression of the accumulated cultural excellence in Jeolla province. Although all the stone artworks are diversified and changed, each of them has its own religious meaning and symbolism with features of Mt. JiRi area. Among many areas of 9th century unified Silla area, Mt. Jiri area have both universality and specialty at the same time. Therefore this area can be regarded as most unique area manufacturing various and superior stone artworks. ，免费韩语论文，韩语毕业论文 |
