| （摘要内容经过系统自动伪原创处理以避免复制，德语论文题目，下载原文正常，内容请直接查看目录。） 艺术具无形象化的特质,优良的艺术著作老是凭仗详细可感的艺术抽象而不是概念来转达创作者的性命体验。纵不雅20世纪德语戏剧的美学过程,却阅历了“去抽象化”的美学过程。所谓“去抽象化”,是指戏剧中抽象化元素逐步削弱、创作者摆脱抽象的约束直接面临不雅众言说的愿望赓续增长的一种进程。应当指出,“去抽象化”的表示形状多种多样,个中人物抽象是戏剧抽象的重点。在“去抽象化”的成长过程中,表示主义戏剧、布莱希特的论述体戏剧、海纳?米勒的拼贴剧、汉德克的措辞剧是四个比拟症结的阶段,具有必定的代表性,值得重点存眷。本文经由过程对20世纪德语戏剧中人物抽象的演化进程剖析,指出“去抽象化”进程是一个脚色逐步让位于扮演者的进程,同时也是一个抽象化表达逐步让位于主体直接言说的进程,是详细划定性让位于无定性的进程,“去抽象化”是虚拟的戏剧空间逐步让位于实际的生涯空间的进程。 Abstract: Art with the intangible like qualities, excellent art works always Pingzhang with sense of art rather than in the abstract concepts to convey the artist's life experience. In the aesthetic process of the German drama in twentieth Century, it has gone through the process of "abstraction". The so-called "to abstraction", refers to the drama in the gradual weakening of the abstract elements, creators get rid of abstract constraints directly facing the audience speaking desire to increase ceaselessly a process. It should be pointed out that "to abstract" the shape of a variety of forms, Chinese characters abstract is the focus of drama. In "to abstraction" in the growth process, said for realism in drama, Brecht on theatre, Haina? Miller collage drama in the wording of the drama, Handke is four compared to the crux of the stage, has certain representation, it is worth focus of concern. This article through to the 20th century German drama characters in the abstract evolution process analysis, and points out that "to the abstraction process is gradually give way to a role in the process of playing, is also an abstract expression gradually let is located the main direct speech process, is delineated in detail that in no qualitative process," to abstract "is the virtual space of the drama gradually in the process of the actual living space. 目录: 摘要 3-4 Abstract 4 第一章 戏剧形象与主体表达 6-14 第一节 戏剧形象的本质 6-9 第二节 戏剧形象与主体表达 9-14 第二章 “去形象化”：从角色到表演者 14-36 第一节 表现主义戏剧的形象略论 14-18 第二节 叙事体戏剧的形象略论 18-24 第三节 后现代派叙事戏剧的形象略论 24-32 第四节 说话剧中的形象略论 32-36 第三章 “去形象化”的美学特征 36-54 第一节 “去形象化”是扮演者逐渐让位于表演者的过程 36-39 第二节 “去形象化”是形象化表达逐渐让位于主体直接言说的过程 39-42 第三节 “去形象化”是具体规定性逐渐让位于无定性的过程 42-49 第四节 “去形象化”是戏剧空间逐渐让位于生活空间的过程 49-54 参考文献 54-59 攻读学位期间公开论文 59 创作成果 59-60 致谢 60-61 |
