| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 作为德国文坛“小男子事业”的代表人物之一，尤莉娅·弗兰克凭仗本身的创作能力驯服了国际外的读者，被视作同代德语女作家中的佼佼者。长篇小说《午间女人》是她的代表作，德语论文，荣获了2017年德国图书奖和中国“21世编年度最好本国小说（2017）”奖。本文以这部小说为研究对象，采取文天职析办法，深刻商量小说中的缄默主题。《午间女人》这部小说是尤莉娅·弗兰克依据家族故事改编创作的。它集中论述和描述了一个犹太女人在一战、二战中的生涯和生长阅历。今朝对于该小说的研究尚不充足且研究视角重要集中于小说的家族故事素材，女性的命运和怙恃与孩子之间的关系等。而本文则从一个新视角探寻了小说中的缄默主题。本文起首引入“缄默”这一概念，扼要引见缄默与言说的关系和缄默在德语文学中的表示和研究状态。随后简介作者及著作内容偏重点剖析女主人公的言说与缄默，探寻其缄默表示、原由和作用。最初评析了著作中缄默主题的多种表示手段。经由过程剖析，本文得出的结论是：作家尤莉娅·弗兰克运用了多种创作手段来表示缄默主题；于女主人公而言，缄默意味着一种求生战略；女主人公的缄默是社会情况和时期的产品，透过她的缄默，人们可以看到纳粹份子对犹太裔平易近众心思和身材上的损害。值得一提的是：以往德语文学中的缄默主题年夜多与东方宗教传统和风行于19世纪末20世纪初的“说话疑惑”（Sprachskepsis）成绩亲密相干，但小说《午间女人》的缄默主题与这二者无相干性。小说经由过程塑造一个在二战中受汗青、社会、情况、家庭等的作用而日趋走向缄默的犹太裔女性抽象，德语毕业论文，提醒了纳粹主义和男权主义对犹太女性的压抑，正面反应了女性在男权社会中的无权状况和她们对男权的无声对抗。 Abstract: As a representative of the German literary "little man career", Yulia Frank by virtue of their creative ability to tame international readers, is regarded as a leader in the same generation of female writers in german. The novel "midday woman" is her masterpiece, won the 2017 German Book Award and the 21 annual World Series China national best novel (2017) award. In this paper, the novel as the research object, adopt the way of text analytics, discuss the profound theme in the novels of silence. The novel "woman" is based on the Yulia Frank family midday story creation. It focuses on the life and growth experience of a Jewish woman in a World War II and World War II. At present, the research on this novel is not enough, and the research perspective is focused on the story of the novel's family story, the fate of women and the relationship between parents and children. And this paper analyzes the silent theme in the novel from a new perspective. This article first introduces the concept of "Silence", and briefly introduces the relationship between the silence and the speech and the silence in the German literature. Then the author and his works focus on the analysis of the speech and the silence of the heroine, and to analyze the reasons and influence. Initial comments on the various means of silence in the works. Through the process of analysis, this paper draws the conclusion that the writer Yulia Frank uses many creative means to express the silent theme; in the female protagonist, silence means a survival strategy; the female protagonist's silence is the social situation and the product of the period, through her silence, people can see the Nazis to the Jewish people's minds and body damage. It is worth mentioning that the previous German literature in silent theme mostly with Eastern religious traditions and became popular in the late nineteenth Century and early twentieth Century to "speak confusion" (Sprachskepsis) performance is closely related, but the theme of the novel "silent noon woman" with the two non coherence. Through a process of shaping a novel effect by history, during World War II, the society, family and more Jewish women to silence abstract, remind of Nazism and the patriarchal repression of Jewish women, the positive reaction of women in a patriarchal society to patriarchal status and their silent confrontation. 目录: Danksagung 4-5 摘要 5 Abstract 6-10 1. Einleitung 10-17 1.1 Forschungsüberblick 10-15 1.2 Zielsetzung und Aufbau der Arbeit 15-17 2. Das Schweigen 17-31 2.1 Der Begriff Schweigen 17-20 2.2 Das Verh ltnis zwischen Sprechen und Schweigen 20-23 2.3 Das Schweigen in der deutschen Literatur 23-31 2.3.1 Formen, Funktionen und Bewertungen des Schweigens 23-25 2.3.2 Forschungsüberblick über das Schweigen in der deutschen Literatur 25-29 2.3.3 Schweigen in der deutschen Kultur 29-31 3. Julia Franck und ihr Roman Die Mittagsfrau 31-41 3.1 Julia Franck 31-36 3.2 Der Roman Die Mittagsfrau 36-41 3.2.1 Entstehungsgeschichte des Romans 36-38 3.2.2 Inhaltsangabe des Romans 38-41 4. Helenes Sprechen und Schweigen 41-72 4.1 Helenes Sprechen 41-44 4.1.1 Helenes Sprechen gegenüber Carl 42-44 4.2 Helenes Schweigen 44-56 4.2.1 Das Schweigen zwischen den Generationen 45-50 4.2.1.1 Das Schweigen zwischen Helenes Mutter und Helene 45-47 4.2.1.2 Das Schweigen zwischen Helene und Helenes Sohn 47-50 4.2.2 Das Schweigen in der Arbeit 50-52 4.2.3 Das Schweigen in der Ehe 52-56 4.3 Ursachen des Schweigens 56-68 4.3.1 Generationskonflikte 56-59 4.3.2 Geschlechtskonflikte 59-64 4.3.3 Carls Unfalltod 64-66 4.3.4 Jüdische Herkunft 66-68 4.4 Einflüsse des Schweigens 68-72 4.4.1 Einflüsse des Schweigens auf Helene 68-70 4.4.2 Einflüsse des Schweigens auf Helenes Sohn 70-72 5. Darstellungsweisen des Schweigens in Die Mittagsfrau 72-84 5.1 Struktur des Romans 72-75 5.2 Die Mittagsfrau als Legende 75-78 5.3 Zitat aus Kafkas Tagebüchern 78-79 5.4 Pilze als Symbol 79-81 5.5 Wiederholung des Wortes Schweigen“ 81-84 6. Schlusswort 84-86 Literaturverzeichnis 86-91 |
