| （摘要内容经过系统自动伪原创处理以避免复制，德语论文网站，德语毕业论文，下载原文正常，内容请直接查看目录。） 埃尔弗里德·耶利内克是一名出色的德语作家,她的诸多著作都以女性为重要对象,描述女性抽象、女性生计状态、为实际所不容的寻求等。耶利内克著作中的的女性批评认识重要集中在她的五部著作中《逐爱的女人》批评了社会婚恋不雅,在父权制文明积弊下,女性以婚姻作为获得位置的独一门路,女人没有可依附的价值系统;《娜拉分开丈夫今后,别名“社会支柱”》作为女权主义者的宣言,从实际动手,批评女性不克不及取得自立位置的实际缘由;《钢琴教员》及《情欲》作为耶利内克名声最年夜的两部著作,以两性间的“性”作为疆场,提醒出了猎者与猎物间根深蒂固的次序;《逝世亡与少女》以六位公主逝世而回生的情节,对男性审美尺度停止批评,在“死活”、“真谛”的评论辩论中,将女性成绩上升到了哲学高度,以追求真谛比方女性抗争。五部著作逾越了耶利内克创作的三十年时光,梳理这几部著作,我们可以发明耶利内克的女性认识从最开端的偏颇表达、到保守的女权者宣言,到赓续实验摸索,终究构成了独具特性特点的艺术作风。 Abstract: Elfried Jelinek is a famous German writer, many of her works are women as an important object, describe the female female living state, abstract, not the actual search etc.. The women in the works of Jelinek criticism on her understanding of the important five works by "love woman" criticized the social marriage in the patriarchal civilization, long-standing, women in marriage as the only way to get the position of the woman, no value system can be attached; "Nora from her husband in the future, alias" society as the "pillar" feminist manifesto, from practical criticism, women cannot obtain the actual reason independent position; "the piano teacher" and "lust" as Jelinek's most Nianye two works, with two of the "sex" as a battlefield, remind the hunter and prey between ingrained order; "death and the Maiden" to the six princesses back from the dead plot, stop the criticism of the male aesthetic scale, in the "birth and death" and "true" comment debate, the results up to women The height of philosophy, to the pursuit of truth for the struggles of women. Five works beyond the Jelinek creation of thirty years, this sort of several works, we can invention Jelinek's female consciousness from the beginning of biased expression, to conservative feminist declaration to gengxu experimental exploration, eventually formed the unique characteristics of the artistic style. 目录: 摘要 5-6 Abstract 6 引言 8-12 第1章 对社会婚恋观的批判 12-19 1.1 历史积弊下的婚姻观 13-16 1.2 现实状况下的爱情虚无 16-19 第2章 对女性无法建立自主地位的批判 19-26 2.1 时代背景下的经济困境 20-22 2.2 女性“他者”的依附心理 22-26 第3章 对性压抑、性强权的批判 26-36 3.1 母代父职下的性压抑 27-32 3.2 两性关系中的性强权 32-36 第4章 对男性审美标准的批判 36-45 4.1 对容貌评价标准的批判 36-38 4.2 对服装评价标准的批判 38-40 4.3 维护知识女性的精神追求 40-45 结语 45-47 参考文献 47-49 致谢 49 |
