| （摘要内容经过系统自动伪原创处理以避免复制，德语论文题目，下载原文正常，内容请直接查看目录。） 表示主义(Expressionism)是20世纪初源于北欧的一场艺术活动,触及绘画、诗歌、小说、戏剧等诸多范畴。作为一种思潮,它反应了特准时空的政治、经济、文明和社会生涯配景,且作用深远,乃至在表示主义的社团停滞运动今后良久,表示主义的美学思惟和艺术手段对德国和其他东方国度的很多艺术家依然有很强的吸引力。表示主义绘画作为古代主义美术成长早期的主要派别之一,重要据点在德国,有其庞杂的汗青渊源和时期动因。它继续了中古以来德国艺术重特性、重情感颜色、重客观表示的特色,在外型上寻求激烈的比较,寻求歪曲和变形的美。19世纪末德国哲学家和美学家的很多实际,对表示主义活动也起到了推进感化。在东方文明艺术中,表示主义意味着特性、自我、保守和批评。表示主义源于主体不雅念,在审美创作进程中表示出一种激烈的主体情绪颜色,一直代表着一种在特定汗青前提下人类的自我挣扎、恐怖的呼吁与本身的觉醒。表示主义既意味着对情绪世界和人类心思状况的摸索,又包括着对客不雅世界现状的疑惑、抗议和反思。是以,在必定水平上,表示主义绘画可以被算作是因为古代人心坎充斥抵触并试图摆脱抵触而发生的一种绘画景象。本文从德国的平易近族特征、风气特点和时期配景动手,摸索表示主义在德国发生的必定性。经由过程阐述表示主义重要集团的演化,研究德国表示主义绘画的发生与成长。本文共分为六个部门。第一部门(绪论)阐述“表示主义”这一术语的概念及起源,进而引出对德国表示主义绘画的研究。第二部门(第一章)阐述德国的平易近族、情况和时期与其绘画的关系,从而进一步论证表示主义绘画在德国发生的必定性。第三部门(第二章)是本文阐述的重点,从德国表示主义集团的创作特色、代表人物、著作特点及其演化停止剖析,阐述其绘画成长的缘由及偏向。第四部门(第三章)对作用德国表示主义绘画成长的哲学思惟停止研究,从思惟方面摸索绘画说话改变的缘由。第五部门(第四章)从欧洲艺术派别对德国表示主义绘画的作用停止剖析。第六部门(结语)对后面的阐述停止总结,并进一步略论德国表示主义对我国油画创作的作用。 Abstract: That's (Expressionism) is an artistic activity in early twentieth Century from Scandinavia, touch the painting, poetry and fiction, drama and many other areas. As a trend of thought. It reflects the authorized time political, economic, civilization and social career background and far-reaching influence and in socialist society stagnant movement in the future for a long time, said the doctrine of aesthetic thoughts and artistic means of Germany and other western countries many art home still has a strong attraction. Said the painting as the ancient art of early growth of one of the main factions, a stronghold in Germany, with its complex history and cause period. It continued since the middle ages, the German art characteristics of emotional color, objective representation characteristics, seeking intense comparison in appearance, distortion and deformation of the United States to seek. At the end of the nineteenth Century German philosophers and scientists said on many practical, humanitarian activities also played a role in promoting. In the Oriental civilization art, expressionism means characteristics, self, conservative and criticism. Said the source on the main idea and a kind of intense emotion of color is shown in the process of aesthetic creation, has represented a under the specific historical conditions of human self struggle, the terrorist's call with the awakening. That means that the doctrine of emotional world and human psychological conditions of exploration, and includes the objective world in confusion, protest and reflection. Therefore, to a certain level, said realism painting can be counted as for ancient people hearts full of conflict and trying to get rid of the conflict and a drawing of the scene. This article from the German national characteristics, culture characteristics and period background to explore the expressionism in Germany's necessity. Through the process of this important group said Evolutioanism, Germany said research development and growth of painting. This paper is divided into six departments. The first part elaborates "(Introduction) said the concept and origin of the term", which leads to study painting in Germany said. The second Department (the first chapter) expounds the relationship between the family and the German people and its period of painting, thus further proves that the painting happened in Germany, the necessity of. The third section (the second chapter) is the focus of this paper, from the German Expressionism group's creative features, characteristics and evolution of representative characters, analysis, expounds the reason of painting growth and bias. The fourth sector (Chapter third) said the painting philosophy development research of Germany, from the thought to explore the reasons to change the painting. The fifth sector (Chapter fourth) from the influence of European art painting said in Germany analysis. The sixth sector (conclusion) on the back of this summary, and further analysis of the German said the impact on Chinese oil painting creation theory. 目录: |
