백제의 악기와 음악문화에 관한 연구 [韩语论文]

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This researcher will conduct advanced research on Baekje's musical instruments through ancient Baekje relics and historical records recorded in Samguksagi, and examine the aspects of Baekje music researches in traditional music circles today. And the ...

This researcher will conduct advanced research on Baekje's musical instruments through ancient Baekje relics and historical records recorded in Samguksagi, and examine the aspects of Baekje music researches in traditional music circles today. And the research on Baekje music culture was carried out through the research on Oaxa expressed in Gilt-bronze Incense Burner of Baekje. Following the introduction of the first chapter, chapter Ⅱ examined the Baekje music research history and the cultural background of Baekje music through the advanced research conducted domestically. In addition, Baekje musical instruments and Baekje music were examined through historical records or relics so far identified, and Baekje instruments were classified into string instruments, wind instruments, and percussion instruments. In Chapter Ⅲ, Oaxa of Gilt-bronze Incense Burner of Baekje was focused as a major relic in Baekje music culture research. We compared the ancient musical instruments preserved in East Asia with Oaxa of Baekje, and analyzed the aspects and characteristics of Baekje music culture It is because the research on Oaxa, which occupies an important part in the research on Baekje music culture, is not only difficult to deduce from domestic records or relics but also provides a basis for researching on the aspects of cultural exchanges in East Asia in the music culture of ancient Baekje. Therefore, this research investigated Baekje's musical instruments and musical culture through the research of the records or relics of China and Japan on the basis of domestic records and relics. The research on Oaxa was conducted focusing on Gilt-bronze Incense Burner of Baekje, the national treasure No. 287, excavated in a Buddhist temple site of Baekje period at Neungsalli, Buyeo in 1993, and the Baekje music culture examined through this research showed that the music was at the center in the ideology combining Confucianism and Buddhism, when considering it in relation to the structure of Gilt-bronze Incense Burner of Baekje and the research of historical records. Finally, in chapter Ⅳ as a conclusion, on the basis of the basic research on Baekje musical instruments in chapter Ⅱ and the consideration on Baekje Oaxa in chapter Ⅲ, we presented the task on Baekje music required to be researched today and the direction to overcome limitations. This research has a lot of unsatisfactory points about the basis of the historical records or actual relics, but the basic advanced research was concurrent, and the process of research on the prototype of Baekje music culture today will have sufficient worth in researching Baekje culture in the future. In addition, the research on Baekje Oaxa, which has begun late together with the research on Baekje's musical culture and musical instruments, will provide a basis for the research on ancient Baekje's music culture, and I think it will be meaningful for developing research on Baekje music today.

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