The purpose of this study is intended to enable interactive communication of playing with the audience. To this end, we have implemented a musical sensibility and sensitivity in real-time matches the LED lighting control system. Also it studied a meth...
The purpose of this study is intended to enable interactive communication of playing with the audience. To this end, we have implemented a musical sensibility and sensitivity in real-time matches the LED lighting control system. Also it studied a method to visualize the emotion of the music to be music based on emotions directed at the system. This can largely be summarized into three.
1. The sensibility of the music prior to visualization, presents a method for analyzing the sensitivity of music.
2. The sensibility of the music is presented four methods in a way of visualizing, which is as follows.
a) A method of designing a sensitivity capable of emitting lights
in the colors of the LED lighting system.
b) The production is controlled by a computer with V4 program
ming techniques.
c) Emotional effects design method was applied to the data
channel of the Color Moving lights.
d) The emotional video Directing techniques that are Directing
with lights.
3. LED lighting system implementation
The last sensibility lighting control system, as an essential effect device for the purpose in the audience and the interactive communication of the performance is the study, by utilizing the characteristics, there is a role to guide the sensitivity venue maximized.
Sensibility lighting system is controlled on the basis of the performance sensibility derived initially. Defining a show sensibility illumination color coordinates for light emotion in the light sensibility lighting performances were programmed using the V4 so is effectively controlled accordingly.
It's in the present study, using the music of sensibility, which is one of the best indicators for stimulating the human senses, and visualized with this animation and video to try to infer a common sensibility image of auditory and visual , there is discrimination with other researchers.
Also, rather than a unilateral production through these co-sensory processes, there is a value to was so sensitive production is possible, there is a significance to contribute to the popularization of interactive performance culture through this research.
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