| 灵昌硕与齐白石都是中国近代绘画年夜师、艺术大师。他们以“南吴北齐”之誉名贯国内外，是千年流长的中国绘画汗青上巨大的艺术家。他们不只在本身艺术上有着巨大的造诣，还加深了人们在艺术范畴的感触感染和熟悉，他们以小我浑厚的情绪和丰硕的艺术体验，付与文人画情势以新的性命力和时期性。他们是对艺术孳孳不倦的寻求者和带路人，在近百年的斗争中显示了伟大的发明精力，和艺术前锋性和开辟性。他们不只继续传统的画法，还将传统字画推动一步，韩语毕业论文，给它输出新的性命血液，作用着先人。他们在艺术生活中留下的上万幅著作，不只是在中国国际富有珍藏，韩语论文题目，台湾、喷鼻港、韩国、日本、朝鲜、等很多国度和地域也有许多机构和小我珍藏。他们的作用力也日趋扩展到全亚洲地域，乃至欧洲艺坛。固然他们己分开我们儿十年了，然则在国际、国际艺术界他们依然是众所注视的艺术家。一代一代的后代学者，继续着他们的法道和精力，进修着他们的技法和精华。韩国近代一度进入了阴郁的汗青时代，由于韩国活着界强国之间争斗世界霸权的形式下，开端走向式微的险途。特殊是在日本侵占韩国今后周全实行的所谓“文明没杀政策”榨取下，美术范畴也不破例被作用。自从“孔孟老庄”哲学鼓起以来，朝鲜经由唐宋元明清各时代、各朝代接收优秀的传统文明，而奠基的兴盛的朝鲜五百多年汗青，从此卷入了帝国汗青的水涡。这段危难的时光里，“南吴北齐”吴昌硕与齐白石的艺术在韩国保持传统文明认识傍边有很年夜的感化。特殊是他们的水墨文人画给韩国近古代很多字画家很年夜作用。特别是“南吴”吴昌硕对闵泳翊与“北齐”齐白石对金永基作用尤其凸起。这点是本文集中研究的重要内容，援用年夜量篇幅详细论述这个内容。金永基是韩国近古代美术史上焦点人物之一。他早年来华拜师齐白石进修中国传统文人画和书法。他在留学时代每次寒寒假同国时，将他的父亲及他人拜托索求的齐老著作带着回国，使齐白石著作流入了韩国社会，同时给韩国国际熟悉和研究齐老艺术的契机。上世纪70年月末，他主意并贯彻将其时运用的“东瀛画”称号改成本平易近族特点更浓重的“韩国画”称号等做法对韩国美术界有极年夜进献。这都是齐白石艺术经由过程金永基作用到韩国近古代韩国画坛的一些方面。吴昌硕和闵泳翊也是弗成分的关系。闵泳翊曾因韩国政治上的缘由，在上海长时光亡命生涯，在亡命傍边与吴昌硕慎密地来往并进修墨竹、墨兰等文人画。特别是吴昌硕给闵泳翊刻的300多方篆刻著作与创作年夜量的字画著作，不只是闵泳翊自己宠爱的珍藏，照样韩国藏家和喜好者爱好的珍藏。吴昌硕对近古代韩国美术起到了伟大引领感化。与此同时，吴昌硕与齐白石对其他韩国重要画家的艺术作用力也是伟大的。本文还要论证汗青上这两位巨大的艺术大师的作用，并瞻望将来韩国画的成长，既适应时期潮水，同时希冀在传统中求成长，进入一个新的“韩国画”时期。 Abstract: Ling Chang and Qi Baishi are Chinese modern painting master, art master. They to "South Wu Qi" Meikan reputation at home and abroad, is thousands of years long history China painting great artist. They not only in the art itself has a great attainments, but also deepen the people touch the art category of infection and familiar, their ego and vigorous emotion and rich artistic experience, entrusts with the literati painting situation to new life and times. They are of artistic tireless seeker and passers-by, showed great creative spirit in nearly a hundred years of struggle, and art forward and up. They not only continue to traditional painting, the traditional calligraphy and painting to promote a step, output to give it new life blood, affect their ancestors. They are in the art of living in the tens of thousands of works, not only in China's rich collection, Taiwan, Hong Kong, South Korea, Japan, Korea, and many other countries and regions also have many institutions and personal collections. Their influence is gradually extended to the whole Asia, and European art. Although they have been apart from us for ten years, they are still the artists that they are looking at in the international and international art world. Generations of generations of scholars, to continue their way and energy, and to learn their skills and essence. South Korea in modern times into the dark history of the era, as South Korea's living world power struggle between the world hegemony in the form of a decline in the beginning of the road. Special is in Japan invaded South Korea in the future comprehensive implementation of the so-called "civilization didn't kill policy" oppression, affecting the category of art is no exception. Since the "Confucius, Mencius, Laozi and Zhuangzi" philosophy to muster, North Korea via the Tang, song, yuan, Ming and Qing Dynasties, every age, every dynasty received the excellent traditional civilization, and the foundation of the prosperous North Korea more than 500 years history and has since been involved in the imperial history of whirlpools. This crisis time, "Wu Nan Qi" Wu Changshuo and Qi Baishi art in South Korea to maintain traditional culture understanding Bangbian have very big effect. Special is their ink painting to South Korea in the past many words, a lot of artists very influence. Especially the "Southern Wu" and "Qi" of Wu Changshuo Min Yongyi Qi Baishi of the Jin Yongji effect particularly prominent. This is an important part of this paper focuses on the research, using large amount of space in detail the content. Jin Yongji is one of the focuses in the history of modern art. In his early apprentice Qi Baishi Chinese traditional literati painting and calligraphy education. He in the study time each cold winter with the country at the time, his father and others please demands Qi Lao works with a home, the works of Qi into the Korean society, at the same time to South Korea the familiar and the study of the old art of it. In the late 1970s, his idea and implement the timely application of "Japan painting" title change cost ethnic characteristics of a strong Korean painting "title and other practices of Korea art world has very big contribution. This is the art of Qi Baishi Jin Yongji through the process of impact to South Korea near some aspects of ancient Korean painting. The relationship between Wu Changshuo and Min Yongyi. Min Yeong IK was South Korea's political reasons, in Shanghai for a long time fugitive, in desperate sideways and Wu Changshuo cheek by jowl intercourse and learn bamboo, Cymbidium, literati painting. Especially Wu Min Yeong IK to the moment of 300 multi seal cutting works and large amount of works of calligraphy and painting, not only min Yeong IK his beloved collection, love still Korea collectors and enthusiasts collection. Wu Changshuo to the South Korean art has played a great role in leading. At the same time, Wu Changshuo and Qi Baishi to other important artists in South Korea is also a great artistic influence. In this paper, but also demonstrates the effect of the history of the two great masters of art and look forward to the future growth of Korean painting, both to adapt to the tide period, also hope to seek growth in the traditional, into a new "Korean painting" period. 目录: |
