| 叙事形式是叙事者与故事之间的关系类型。因为叙事者总要向读者睁开情节、描叙人物，并对小说世界做出有关情绪的、思惟的或价值上的断定，所以，叙事者老是要在论述故事时采用某一种措施。纵不雅中外的小说叙事学的先行研究，很多研究家在树立本身实际形式时，虽然在细节上有很多分歧的地方，但在整体上却都不谋而合地将眼光投向了叙事时光、叙事空间、叙事视角等这三个方面。韩国现代小说在叙事时光上根本采取“一人一代记”的连接论述，在叙事空间上绝对地采取了非实际空间，在叙事角度上根本采取全知万能的视角。这一传统的小说叙事形式，在十九世纪末—二十世纪初遭到东方文学实际的冲击，韩语论文网站，并在一系列‘对话’的进程中，外来小说情势的积极移植与传统文学情势的发明性转化，韩语论文题目，配合促进了韩国小说叙事形式的改变。韩国新小说从内容下去看，凸起的是开化、新教导、废除科学等主题；从构造来看，新小说是从传统小说到近代小说的改变进程，起到了承先启后、连接古今的主要感化。但依据先行研究材料发明韩国粹者们常常将年夜部门精神投入到材料的搜集和枚举中，而显得实际深度不敷。是以本文将以叙事学实际为指点，经由过程文本细读和原典实证，体系而周全地勾画出韩国新小说的叙事形式的改变。本文分为六个部门。第一章绪论，重要廓清本论文研究的一些根本成绩，包含研究的对象、规模及目标和意义、研究现状、研究的实际和办法。第二章是韩国新小说叙事形式改变的文明配景为小说的“内部研究”，从韩国近代社会文明配景、韩国近代小说不雅念的改变和文本特点、域外小说的冲击三个方面动手，复原韩国新小说发生的汗青文明配景。第三章是韩国新小说叙事时光的改变。小说的叙事所占的篇幅和故事中的叙事时光有着亲密的关系，韩国新小说中作者依据故工作节的须要将叙事时光加以艺术处置。如叙事时光的省略、停留、堆叠等。如许的时光形式充足地表示了人物的心思变更的进程，深入提醒人物的性情和命运，发生特别的美学后果。第四章是韩国新小说叙事空间的改变。在小说中，时光和空间是互相依存、弗成朋分的。任何的小我思虑和群体行动都必需在一个详细的空间中能力得以停止，空间可以说是我们行为和认识的定位之所；反之，空间也必需被人感知和运用，能力成为活的空间，能力进入意义和情绪的范畴。韩国新小说借助分歧时空排场的叠印或比较来取得特别的美感，又以绝对集中的实际空间为小说舞台，给我们展示了一幕幕的人世百态。第五章是韩国新小说叙事视角的改变。小说在必定意义上是叙事的艺术，是一种叙事体裁，而小说论述者对叙事文本的事宜、人物等睁开描写时，必定离不开一个叙事的视角，论述者恰是经由过程这一叙事的视角将所不雅察到一切表示出来。韩国新小说继续了传统小说全知万能叙事视角的同时，还以限制叙事者的视野，来加强小说的真实感，成心离间作者与论述者，或供给另外一个审阅角度，留给读者更多回味的机遇，进而突现了论述者的心灵、情感体验，并由此睁开由内而外的显示。第六章是结论，经由过程与近代小说叙事形式的比拟研究归结韩国新小说叙事形式的改变及其在韩国小说史上的意义。有关韩国新小说的先行研究年夜多是从小说的内容层面的研究，而对小说情势层面研究却寥若晨星。在笔者所控制的材料中，还没有比拟周全体系地研究韩国新小说叙事形式改变的论文。这在韩国新小说叙事形式研究当中是一种新的测验考试。然则因为笔者学问无限，只是试析韩小说叙事形式的改变，目标在于抛砖引玉，惹起更多学者的看重和研究。 Abstract: The narrative form is the relationship between the narrator and the story. Because the narrator always to readers open plot, describing the characters and of the fictional world make about emotions, thoughts and value judgment, so the narrator always uses a kind of method in this story. Vertical elegance and narrative of the antecedent research, many studies at home in establishing itself to the actual form, although there are many differences in the details, but on the whole are coincide with will narrative time, narrative space, narrative point of view, these three aspects in his sights. Korean modern novel in the narrative time simply take connection discussion of "one person, one on behalf of the mind", in narrative space absolutely take the non real space, in narrative point of view simply taken omniscient universal perspective. This traditional novel narrative form, in the end of nineteenth Century, was hit by the Oriental Literature in the end of twentieth Century, and in a series of "dialogue" process, the positive transplantation of foreign novels and the invention of the traditional literature form, and with the promotion of the Korean novel in the form of a change in the form of. South Korea's new novel from the content down to see, the bulge is civilized, new teaching, the abolition of scientific topics such as; from the structural point of view, the new novel is from the traditional novels to the modern novel process of change, a connecting link between the preceding and the following, connecting past and present the main effect. But according to the first study materials of the present invention Korea researchers often Nianye sector spirit into the materials in the collection and enumeration, is the actual depth is not enough. It is in this paper will be to narrative study theory as the guidance, through a process of intensive reading of the text and the original code empirical, system and comprehensive outline of the change of South Korea's new novel narrative form. This paper is divided into six sections. The first chapter is the introduction, important to clarify that this thesis studies some basic issues, including research object, scale and the goal and the significance, research status, research theory and method. The second chapter is about the "internal research" of the novel narrative form of South Korea's new narrative form, from South Korea's modern social civilization, South Korea's modern novels, the change of the modern novels and the characteristics of the text. The third chapter is about the change of the narrative time of South Korea's new novel. There is a close relationship between narrative time and narrative time in the novel, which is based on the need of the work day. Such as the omission of narrative time, stay, stacking, etc.. Such time form adequately represents the process of the change of characters, and the character and fate of the characters, especially the aesthetic consequences. The fourth chapter is about the change of the narrative space of the South Korean new novel. In the novel, time and space are interdependent, and put into a friend. Any individual thought and group action must be stopped in a detailed space, space can be said to be the location of our behavior and cognition; conversely, space is also necessary to be perceived and applied, the ability to become a living space, ability to enter the meaning and emotion category. South Korea's new novel by the superimposition of different space-time ostentation and extravagance or compared to get a special beauty, and the absolute concentration of the actual space for novel stage, give us a show scenes of the attitudes of the world. The fifth chapter is the change of the narrative perspective of the Korean new novels. Novels in a certain sense is the art of narrative is a narrative genre, and descriptions of the novel deals with matters of narrative text, figures, and other open, certainly can not be separated from the perspective of a narrative, the arguer is precisely through this narrative from the perspective of the observations to all the tables shown. South Korea's new novel to the traditional novel omniscient universal narrative point of view at the same time, with limited narrative perspective, to strengthen the novel's sense of reality, mean to drive a wedge between the author and the author, or supply another review angle, is left to the reader aftertaste more opportunities, and then highlight the discussion of mental, emotional experience, and thus open from the inside to the outside of the display. The sixth chapter is the conclusion, through the process and the modern novel narrative form of the comparison research of the Korean new novel narrative form of change and its significance in the history of South korea. About South Korea's new novel first research Nianye mostly from the novel, the contents of the level of research, and the novel situation levels to study the are very few. In the materials which the author has controlled, there is no comprehensive system to study the new narrative form of South Korea's new narrative. This is a new type of narrative research in South Korea, which is a kind of new test. However because of the author's knowledge infinite, just change of Korean novel narrative form. The aim is to cast a brick to attract jade, caused more and more scholars' value and research. 目录: |
