| 曹秀美（Sumi jo1962－)是今朝世界上最为有名的亚裔女低音歌颂家，1986年饰威尔第弄臣中的吉尔达（Gilda）一角在德里亚斯特（Trieste）的博洛尼亚威尔第歌剧院（Comunale，Giuseppe Verdi）首演后,她又胜利饰演了从巴洛克到浪漫主义前期的很多有名歌剧中的女低音脚色。另外，她还善于演唱从卡契尼到福雷、古诺的宗教作风的室内乐著作。2000年今后，她又测验考试演唱了音乐剧和风行歌曲，除传统的歌剧院和音乐厅，她的身影也涌现在了许多音乐节和广场音乐会中。不管哪一种作风的著作，她都可以或许轻松地驾御而且完善地归纳出来，韩语论文，这类奇特的“跨界”演唱才能，使得她活着界古典声乐界标新立异。是以对她的歌颂艺术停止研究，在20世纪中前期的世界歌颂家艺术作风研究中就具有奇特的意义。本文研究的首创性在于对她的研究不只仅逗留在普通评论性的研究，而是在已有的研究基本上，经由过程文字材料、音像材料和曲谱材料的搜集与剖析，从曹秀美的歌颂艺术成因、发声技巧特色、演唱作风三个方面临她奇特的歌颂艺术作风停止较为周全的剖析。本文经由过程研究以为，曹秀美在歌颂技巧上善于各个时代花样女低音的歌剧脚色和声乐著作的演唱，韩语毕业论文，具有精彩的气味掌握、弱声掌握和灵巧的音色和音量转换才能；勇于测验考试分歧的歌颂艺术情势，在演唱音乐剧和风行歌曲时可以或许依据须要调剂本身的歌颂状况和艺术表示措施；作为一个古典音乐家，具有开放的声悲观念和艺术思想措施，是一名具有奇特艺术特性确当代女低音歌颂家的范例。深刻研究她的歌颂艺术对于声乐进修者，特别是同为亚洲人的中国声乐进修者来讲有着伟大的实际意义与启发感化。 Abstract: Cao Xiumei (Sumi jo1962) is currently the world's most famous Asian female bass singer, 1986 Verdi "Rigoletto" in Gilda (Gilda) Delia West (Trieste) in a corner of the Bologna opera Verdi (Comunale Giuseppe Verdi) after the premiere, she also played the victory from the Baroque to many famous opera romantic the contralto roles. In addition, she is also good at singing from Caccini to the religious style, Faure Cournot chamber music. In 2000, she also tests the musical and popular songs, in addition to the traditional opera and concert hall, her figure is also emerging in many music festivals and concerts in the square. No matter what kind of style of work, she can easily manage and improve it, this kind of strange "crossover" singing ability, making her the World Classical Vocal landmark new innovation. It is to study the art of her singing, in the early twentieth Century in the world to sing the style of art in the world has a unique significance. In this paper, the first is to discuss her not only stay in the discussion of general comments, but the existing research basically, through the process of writing materials, audio-visual materials and materials for the collection and analysis, from Cao Xiumei's praise of art origin, characteristic, singing voice skills in three aspects on her peculiar singing style the style of a more comprehensive analysis. In this paper, through the process of research thinks, Cao Xiumei is good at all times figure contralto opera roles and vocal works in praise of singing skills, has a wonderful smell, grasp the weak voice and skillful master tone and volume conversion ability; try different singing art form, singing in musicals and pop songs can basis to adjust oneself sing condition and art representation; as a classical musician, sound sad idea and art thinking method is open, is a peculiar artistic characteristic when generation of female bass asinger example. Profound research on the art of vocal music, especially with the Chinese vocal music for the Asian people to have a great practical significance and inspiration. 目录: 致谢 4-5 摘要 5-6 Abstract 6 目录 7-9 图清单 9-10 1 引言 10-12 2 曹秀美歌唱艺术成因 12-16 2.1 扎实的基本功和良师指导 12-13 2.2 积极拓宽歌剧戏路 13 2.3 完美诠释多种风格歌曲 13-16 3 曹秀美发声技术探索 16-20 3.1 善于应用精巧的呼吸控制弱声（以我亲爱的爸爸为例） 16-17 3.2 合理应用共鸣 17-20 3.2.1 善于根据角色不同应用不同音色 18-19 3.2.2 根据著作风格不同应用不同的音量变化 19-20 4 曹秀美演唱艺术风格特征 20-28 4.1 演唱曲目广泛，包括各种历史时期的著作 20-28 4.1.1 古典歌剧曲目演唱（以花腔著作为主） 20-23 4.1.2 欧洲古典艺术歌曲演唱 23-28 5 勇于进行新唱法的探究 28-32 5.1 具有开放的音乐观念 28 5.2 音乐剧演唱 28-29 5.3 流行歌曲演唱 29-32 6 舞台表演时尚华丽 32-34 6.1 歌唱气质热情活泼 32-33 6.2 舞台表演具有亲和力 33-34 结语 34-36 参考文献 36-38 作者简历 38-42 学位论文数据集 42 |
