| 中国传统祥瑞画是零丁或综合运用各类意味手段的绘画类型，也是中国祥瑞文明的主要构成部门。祥瑞画展示着人们对实际生涯中的祈愿和对幻想世界的寻求，在生涯中陈陈相因，代代相传。中国传统祥瑞画不只丰硕了本国文明，并且对韩国文明也发生了深挚的作用。尽人皆知，韩语论文，有史以来，韩国与中国有着密弗成分的关系，对中国文明采用积极开放的立场。在中国画年夜量传入韩半岛的同时，中国祥瑞画也逐步在韩半岛生根开花。在慕华思惟的作用下，表示人类配合心思寻求一祥瑞的祥瑞画吸引了韩半岛历代王室和下流阶级。跟着生涯程度的进步，向往精英阶级生涯的通俗庶民也异样可以或许在生涯中接触或享用到中国祥瑞画，免费韩语论文，由此两国具有了配合的图象说话。中国祥瑞画以由下流社会走向平易近间逐步融入于韩半岛的平易近俗生涯中，在韩国风气习气的泥土上，依据时期和不雅念的分歧，赓续变更而完成了中国祥瑞画的外乡化，并在此进程中试图立异，建立起了韩国奇特的祥瑞画传统。如许，两国祥瑞画之间发生了“同源异流，同根异枝”的关系。固然两国传统祥瑞画具有丰硕的审美价值和平易近俗信息，但是在古代社会的敏捷成长中并没有遭到人们的看重，乃至面对着掉传的危机。个中的主要缘由在于没有传承对祥瑞画的“读画”窍门。祥瑞画是在漫长的汗青长河中沉淀的祥瑞不雅念的意味表示，是以“读祥瑞画”须要对祥瑞画的内在情势、内涵寄义及其特定的文明时空停止全方位的解读。而逗留在表层的“看画”是不克不及找出祥瑞画情势的内涵价值的。本文以散落于中国、韩国、日本、法国等各地的两国祥瑞画为基本材料，挖掘两国同享的传统祥瑞画并停止平面性的剖析和比拟。其成果有益于进步中韩两国对传统祥瑞画和传统文明的重视和看重，也无益于为两国传统祥瑞画的恢复和传承成绩供给新的偏向。 Abstract: Chinese traditional auspicious painting is individually or in comprehensive application of various types of that type of painting, but also Chinese auspicious culture important component. Auspicious painting show people seeking to pray in the real life and the fantasy world and routinization in career, from generation to generation. Chinese traditional auspicious painting not only rich country civilization, and also had deep influence on Korean culture. Well-known history, South Korea and China have a close relationship, the Chinese civilization with positive and open position. In the China draw the amount of incoming of the Korean Peninsula at the same time, China auspicious painting gradually flowering in the Korean peninsula. In Muhua thought under the influence that human with mind seeking a auspicious auspicious paintings attract the Korean Peninsula ancient royal and nasty class. Followed the progress of the degree of career, longing for the elite class career popular plebeian equally may in career contact or enjoy the Chinese auspicious painting. Therefore, the two countries have the talk with the image. Chinese auspicious painting to the underworld to plain between near gradually into the Korean Peninsula folk career. In South Korea the habit of soil, period and indecent according to the different, ceaseless change and the completion of the indigenous Chinese auspicious painting, and in this process, trying to innovation, established the Korean peculiar auspicious painting tradition. So, "the same happened between the two auspicious paintings, the root between different branches". Although Chinese traditional auspicious pictures with rich aesthetic value and folk custom information, but in the rapid development of ancient society did not by people's value, even in the face of crisis. One of the main reasons is that there is no inheritance of auspicious painting "Reading Pictures" tips. Auspicious painting is precipitated in the long history of auspicious indecent means said, is to "read auspicious painting need auspicious paintings on the internal situation, connotation send righteousness and particular civilization in time and space to stop a full range of interpretation. And stay at the surface "painting" is the connotation of auspicious situation cannot find out the value of the painting. In this paper, the scattered in all over China, South Korea, Japan, France and other countries auspicious painting as the basic material, both countries share the traditional auspicious picture mining and stop plane analysis and compared. The results are useful to the progress of China and South Korea's emphasis on the traditional auspicious painting and traditional civilization and value, it is useless to for their traditional auspicious picture restoration and inheritance issues new bias. 目录: 中文摘要 6-7 Abstract 7-9 第一章 绪论 12-28 第一节 问题提出 12-13 第二节 探讨措施和范围 13-14 第三节 探讨目的与意义 14-15 第四节 对探讨近况的回顾与反思 15-20 第五节 对吉祥画的解释与界定 20-22 第六节 吉祥画的主要特点 22-28 第二章 中韩两国传统吉祥画的演变与传播 28-124 第一节 中国吉祥画的生成过程 28-43 第二节 吉祥观念的成熟与中国吉祥画的繁荣 43-56 第三节 中国门神像在韩半岛的流入和融合 56-76 第四节 韩国吉祥画的繁荣与契机 76-89 第五节 中国吉祥画在韩半岛的传播 89-112 第六节 中国吉祥画传播背后的文化追求 112-124 第三章 韩国对中国吉祥画的吸收——以吉祥人物为主题的吉祥画为主 124-248 第一节 富贵寿考的角色模型——以郭子仪图像为例 124-189 第二节 不同游戏中的共同之愿——以百子图图像为例 189-214 第三节 神与人共享的乌托邦宴会——以瑶池宴图像为例 214-248 第四章 中国吉祥画在韩国的变异——以吉祥动物为主题的吉祥画为主 248-303 第—节 谐音的韩国式应用——以芦雁图图像为例 248-275 第二节 镇鬼神虎报大喜——以虎图图像为例 275-303 第五章 韩国吉祥画的独特表现——以灵物和器物为主题的吉祥画为主 303-344 第一节 多画而益寿的长生心法——以长生图图像为例 303-323 第二节 劝人勤学、祝福前途的静物画——以册架图图像为例 323-344 第六章 中韩两国传统吉祥画的差异对其传承与发展的启示 344-350 结语 350-352 参考文献 352-367 [附录]图片来源 367-381 后记 381-382 作者简历及在学期间所取得的科研成果 382 |
