| 文本以综艺节目标叙事文明为研究对象,采用实际不雅照、定性剖析的研究办法,经由过程深刻商量韩国一系列有名综艺节目如情书、X-MAN、我们娶亲了激发的收视景象,体系地研究其汗青成长及其文明语境,提醒出此类文娱节目标叙事类型与叙事特色;并以此为参照,梳理二十世纪九十年月以来中国年夜陆综艺节目标成长演化。经由过程比较剖析两国综艺节目标经典佳作,商量出胜利综艺节目所具有的叙事元素及组合措施,并希冀相干节目创作人员可以或许从中不雅照出有价值的叙事形式,为综艺节目创作供给可自创的根据。文献综述部门详细论述了研究的配景、意义、国际外研究现状和研究的重要内容。本文的立异的地方在于年夜多半研究综艺节目标文章均从节目形状、内容等角度剖析其胜利或掉败的缘由,并总结出综艺节目胜利的诸多要素如迅速的掌管人、重磅级的明星介入、互动性高、或是丰富的介入年夜奖等;对于不胜利的综艺节目,则剖析指出其模拟及剽窃严重,无外乡立异认识、低俗缺乏节目内在等。本文则从叙事的角度指出阁下不雅众手中遥控器的主要身分之一则是节目谋划进程中叙事元素的运用及其组合措施,这些身分可以或许使立体的简略的综艺扮演酿成一幕幕环环相扣的具无情节和悬念的叙事,不雅众的情感跟着这类跌荡放诞升沉的情节波涛升沉,并迫切盼望懂得叙事主体的命运成长。这类捉住不雅众心思的叙事构造谋划,是综艺节目取得胜利的主要缘由。文章重点陈说在第4、五两章。阐述中起首指出了综艺节目在成长进程中的叙事化偏向,侧重剖析了中韩两国胜利的综艺佳作在叙事元素的运用及组合措施上的细节,而且剖析了二者叙事构造的差别及其缘由。终究得出结论综艺节目标叙事构造由叙事元素及其组合措施两方面组成,并缺一弗成。真正吸引不雅众的综艺节目应当具有激烈的叙事构造形状,将铺垫、人物抽象、悬念、抵触、激动一系列叙事元素依据节目标内容及须要有目标有战略的分列组合起来,组成紧凑的相似于电视片子的情节,如许能力更好的吸引不雅众的眼球。 Abstract: Text to Arts Festival narrative target civilization as the research object, the actual indecent photos, the qualitative analysis of research methods, through process deeply discuss South Korea a series of famous variety shows such as "love letter", "X-man", "our wedding" excitation viewing scene and system research, discuss the development history and cultural context, to remind the such entertainment festival narrative target type and narrative features; and use it as a reference, combing the twentieth century since the nineties mainland China Arts Festival target growth and evolution. Through comparative analysis of two arts festival target classic masterpiece, to discuss the victory variety show with the narrative elements and combination method, and hope coherent content creators can perhaps from indecent according to the value of narrative form, variety show creation supply can be created according to the. Literature review discusses the background, significance, and the important content of the research. Innovations of this essay lies in most of the eve of the study arts festival in the target article were from the point of view of the shape and content of program analysis success or failure of the cause of the, and summed up the many elements of the victory of the variety show such as rapid host, involved in the blockbuster star, interactive, or rich intervention of the eve of the award; a variety show of victory, analysis points out the simulation and serious plagiarism, no indigenous innovation, vulgar lack inner programme etc.. This paper from the angle of narrative that you do not the audience hand remote control one of the main factors is the application and combination method of narrative elements in the process of program planning, these factors can perhaps three-dimensional simple variety play lead to scenes of interlocking with the plot and suspense of the narrative, the audience's emotions follow the diedang Fangdan rise heavy episodic waves heave, and look forward to the urgency of the know the fate of the growth of the narrative subject. This kind of capture the narrative structure of the mind, is the main reason for the success of the variety show. The article said in the fourth, five two chapter. Paper firstly points out that the variety shows in the process of the development of the narrative of bias, focused on analyzing the victory of China and South Korea arts masterpiece in the narrative elements of the application and combination method of the details, and an analysis of the difference and reason of the narrative structure. After all, it is concluded that the target narrative structure of the Arts Festival is composed of two aspects: narrative elements and combination method. Truly attract the audience of the variety show should have a strong narrative structure shape, the bedding, characters, suspense, conflict, excited a series of narrative elements according to the section of the target content and the need to have a strategy of the breakdown of the combination, compact structure similar to the TV film, such ability to attract more attention. 目录: |
