Many researchers at domestic and overseas have studied the question about consonant rhythm-end of Chinese characters of Sino-Korean. Firstly, in point of the discussion about the consonant rhythm-end of Korean language, it was concentrated in the chan...
Many researchers at domestic and overseas have studied the question about consonant rhythm-end of Chinese characters of Sino-Korean. Firstly, in point of the discussion about the consonant rhythm-end of Korean language, it was concentrated in the change from ancient Chinese rhythm-end [-t] to the pronunciation of rhythm-end [-l] in Korean of Chinese characters. As for the of consonant rhythm-end of Chinese, it was focused on the change from the nasal rhythm-end [-m] of ancient Chinese to [-n]. Researchers all over the world mainly analyzed this phenomenon according to rhythm books and tables of ancient China, as well as voice control and translation, or analyzed it on the basis of some singular dialect, which was short of a whole understanding. In this , the period and process of changes in the pronunciation of Chinese ʻ-p, -t, -kʼ and nasal rhythm-end ʻ-m, -n, -ŋʼ in Chinese and Korean was studied by using the language geography with the reference to previous methods of research.
We chose 4 characters from each dialect of 41 regions which were selected as survey site in present including one from Korean to make a map of dialect and discuss the cause of formation and sort them according to the type of consonant rhythm-end and nasal rhythm-end. As a result, the vary process of consonant rhythm-end was summarized as 8 stages according to their synchronicity and that of nasal rhythm-end was 5 kinds of change types. Besides, we supplemented the transformation of consonant rhythm-end [-t] to [-l] in the Chinese character of Korean language and that of rhythm-end [-m] to [-n] in Chinese language on the basis of diachronicity in order to insure the power of synchronicity. And we also described the vocalic rhythm-end simply.
Based on the geographical distribution of consonant pronunciation our study confirmed the dialect circumferential theory proposed by YANAGITA KUNIO which holds that the more far away from Beijing, the more possibility that exist for the ancient form as the distance gets further away from Beijing. In addition it proved that the rhythm-end [-l] of Chinese character in Korean language was introduced to Korean with the form of [-ɤ] because the consonant rhythm-end of ʻ-p, -t, -kʼ in the dialect of Shanxi in Tang dynasty, Chinese northwest region, lead a reduction process to ʻ-β, -ð(-r), -ɤʼ after living through the vary to ʻ-b, -d, -gʼ. Meanwhile, it demonstrated that the nasal rhythm-end [-m] of Chinese character in Korean language was introduce into Korean before it transformed to [-n] in Chinese language so that the rhythm-end [-m] retained in Chinese character of Korean language.
,韩语论文范文,韩语论文题目 |