This aims to study the correct location of Mangjusuk among stone figures for tombs and to investigate the significance of the Mangjusuk. Therefore, I first studied the origins of stone figures for tombs during the Joseon dynasty, especially Mang... This aims to study the correct location of Mangjusuk among stone figures for tombs and to investigate the significance of the Mangjusuk. Therefore, I first studied the origins of stone figures for tombs during the Joseon dynasty, especially Mangjusuk, and to divide the site of its installation depending on royal tombs and tombs of nobility in order to investigate the standards of Mangjusuk installation through comparison. Also, Mangjusuk of China serves as a type of tomb gate that notifies the location of the tomb or village, being a markstone that possesses factual significance as a system of sign. This reveals that, unlike this, Mangjusuk of the Joseon dynasty not only possesses the significance as a markstone but also the significance of a Yeack music which symbolizes the sacred area of the deceased. The composition of this is largely threefold. First, according to True Record of the Joseon Dynasty(『王朝實錄』) and Sanreung Dogam(『喪禮圖鑑』), royal tombs were created based on the regulations and principles in Five Rites of State(『五禮儀』) and Chungwan Tongo(『春官通考』), etc. On the other hand, there seems be no books that serve as the criteria or the basis for tombs of general nobility. For such reason, the composition of installations in royal tombs, the model of stone figures for tombs, was selected as a preliminary consideration for exploring the standards on the location of installing Mangjusuk. Second, the explores various cases of tombs for nobility that installed stone figures without certain criteria and reference documents. According to their rise and fall, many nobility households reconstructed or installed stone figures on their own by neglecting the historical significance of stone figures for tombs, damaging their significance. The culture of stone figure for tombs contains the spirit of the Korean race and the value of cultural arts with implications on the set of values and world view of totemism, Taoism, Buddhism, and Confucianism. Moreover, stone figures for tombs constitute the system that symbolizes the Yeack culture which has expressed the emotion of filial duty for ancestors from the period of the Three States until now. Therefore, stone figures may not be installed or reconstructed just based on the rise or fall of the family, thoughts of individual people, or political stances without following certain principles. Furthermore, the standards of China should not be followed since there are standards of Korea which have been nationally regulated. In such aspects, I selected Mangjusuk among the stone figures for royal tombs of Joseon and the tombs of nobility to present its correct standards for installation. Third, the considered that the location of installation and significance of Korean Mangjusuk are different from those of China. Mangjusuk of China serves as a type of tomb gate that is installed at the entrance of villages or tomb sites to serve as a markstone which notifies the location of the tomb or village. However, Mangjusuk of China not only serves as a markstone but also possesses a symbolic significance that it protects the area of the deceased. In other words, Mangjusuk contains multiple significance as follows. For royal tombs, it is a boundary stone which marks the site for burying the royal tomb, indicating the area of the deceased. In terms of Feng-Shui, this can be seen as a classification of xue and tang, and can serve to deliver the sad news in terms of Feng-Shui which seeks the harmony of yin and yang through the blue dragon and white tiger on the left and right. Also, it serves as the indicator and gate that leads to the way to heaven, the symbolic passage where the spirit goes out to the Big Dipper and then comes down again at the time of ancestral rites. Mangjusuk, which contains such various significance, can be said to express the traditional spiritual culture of Korea and the set of Feng-Shui values. In conclusion, the site of installation for Mangjusuk, which contains such various meaning, ought to be based on books like True Record of the Joseon Dynasty(『王朝實錄』), Gyeongguk Daejeon(『經國大典』), Five Rites of State(『五禮儀』), Confucian Ritualism(『朱子家禮』), and Chungwan Tongo(『春官通考』). In other words, based on the standard drawing of Joseon royal tombs, Mangjusuk should be installed on the left and right of tomb table, the inner part of the place where Sasung ends, connected to the left and right of Honusuk.
이 논문의 목적은 묘지석물(墓地石物) 중에서 망주석(望柱石)의 올바른 설치 위치가 어디인지 살펴보고, 그 망주석의 의미를 탐구하는 데 있다. 따라서 필자는 먼저 조선시대의 묘지석물, 특... |
