The purpose of this study is to investigate the medium of art that has started to change through the involvement of science and engineering. If we say that what art relays to people is a special experience, then the medium of art space is a special pl... The purpose of this study is to investigate the medium of art that has started to change through the involvement of science and engineering. If we say that what art relays to people is a special experience, then the medium of art space is a special place that provides special experiences. Walter B. S. Benjamin (1892-1940) describes that as society changes do so art works as human perception experiences and aesthetic experiences change. Thus, an overall change occurs in the way they are accepted and the value and functions they hold. McLuhan's statement that "Media is a message" means that the content of the expression does not exist outside the expression of the form. The media format is very important because the content of the message varies depending on which medium is used. Understanding the format of the medium in artistic expression and working in accordance with it is the most important factor for artists in expressing their thoughts and opinions. The biggest change is happening in the digital field. Digital technology has completely changed our environment in the early 21st century. Among these, the fastest progression is the increase in density. Digital camera’s number of picture elements have increased tenfold in 10 years, and not even 10 years have passed since the television’s SD standard, which has been in use for over 60 years, has changed to HD and is about to transition to UD. Flusher said that if virtual densities become sufficiently dense, it will be no different from reality. Jean Baudrillard has created many repercussions and sensations in the world of postmodernism with the similacre theory. The simulacrum refers to an artifact that makes a nonexistent object seem like it does exist. It is a substitute that does not exist in reality but is recognized as a being that exists, sometimes even more real than what actually exists. Digital technology obviously changes the way we understand the world. The composite image, or digital image, created by digital technology is no longer considered a simulacrum. Digital images are no longer images of the past but images of the future. These images of the future realize the expansion of art space and convey a different message compared to the past. The art space is expanding its space beyond the surfaces of canvas and photo into a three-dimensional space. The history of stereoscopy began with the invention of photography but it started to gain attention once more in the digital age. The free transformation and synthesis of images outside of physical limitations eliminated the obstacles that seemed impossible to overcome in the past and the development of chemical technology as well as the emergence of portable media has shown new possibilities. Lenticular is the anatomic stereoscopic viewer system which creates a multi-point image through shooting or computer graphics then implements a stereoscopic image which shows a different image to the human left and right eyes through a semicircular lens after cutting the image vertically. The process of creating an image suitable for a lenticular is not only through a technological know-how in photography but also through differentiation from other media in terms of editing and post-production using a computer. One of the artists who best used this characteristic of medium change is Andreas Gursky from Germany. His work poses new questions not just from its huge and spectacular size but from existing beings. In other words, we are discussing the breadth and depth of the message through the difference between the visible reality and the reality that the artist perceives. Researcher is also trying to expand space through a new medium as density increases. It overlaps and repeats to maximize the lenticular medium form and is an attempt of superposition of virtual and actual semantics through an object of feather. The disappearing traditional Korean culture is an overlap of multidimensional messages about the disappearance of space, distance, and time, and the presence of modern people becoming lighter. The rides in the playground that are shown through the double overlap of a common but totally different meaning are a message for the satirical contemporary society. The work on contemporary art museums is a superposition of multiple messages about the record and meaning of the present state of art. Science and engineering forces art to change its medium but do not undermine the semantics of the medium. Thus, the greatest feature of contemporary art which is density can be told through its involvement in the arts of science and engineering. ，免费韩语论文，韩语毕业论文 |
