In 1905, Chinese first film, The Battle of Dingjunshan, was produced, and it has been over a hundred years since then. The images of women in the films have changed with the every culture and politics over the past century. During the several years be... In 1905, Chinese first film, The Battle of Dingjunshan, was produced, and it has been over a hundred years since then. The images of women in the films have changed with the every culture and politics over the past century. During the several years between PRC’s foundation in 1949 and the disaster, Cultural Revolution in 1976, the female images of revolutionaries and soldiers who were originally acted by men appeared so as to promote the equality of men and women, as well as the good development of proletarian revolution. Undoubtedly, It stroke the real image of women and their awareness built in the film destructively. In 1977, after the Cultural Revolution, the Western feminist culture gradually spread into China, and many directors gradually began to restore the female image in the film. Huang Shuqin, Zhang Yimou and other directors reproduced women's images of self-salvation and struggling old cultures in the films under a man-dominated society. In the mid-1990s, coming with the development of the times, China transformed from plan economy to market economy, which accompanied with bankruptcy of hordes of factories and the unemployment. The working competition was much fiercer so that women must be under both pressure from family and workplace in the traditional male culture. In the films of Feng Xiaogang, this social phenomenon was manifested, creating many female images who wanted to balance their careers and families. The passage will analyze the representative and representative films(Young at Heart, Ghost Love, Red Sorghum, Raise the red lantern, The dream factory, A sigh) of that time to summon a series of changes due to several important reasons like reform and opening up, patriarchal culture and economic transformation from 1977 to 2000. In addition, the female images in other films are more completed and complex than those mentioned in this passage, which has promoted the diversification of female images in Chinese films. ，韩语论文网站，韩语毕业论文 |
