In modern society, ‘cosmetology’ has become an emotional and creative trend. It can be used as a means of artistic and cultural creation or self-expression as well as a tool to pursue beauty. The ultimate goal of ‘cosmetology’, which is found ... In modern society, ‘cosmetology’ has become an emotional and creative trend. It can be used as a means of artistic and cultural creation or self-expression as well as a tool to pursue beauty. The ultimate goal of ‘cosmetology’, which is found in diverse art and cultural fields, is to change the inner and outer image. Modern women tend to prefer short hair thanks to the convenience of hair care in a hectic daily routine. In addition, it creates a professional and stylish image. Compared to long hair, however, it’s very limited in being able to provide diverse hairstyles. At a wedding or party, for example, there are few hairstyling options with short hair. In this case, a professional hairdresser’s high level of skills and profound insight are required. Therefore, this study analyzed the types of traditional bomuns and their symbolism and developed hairpieces and hair accessories based on these. The results were used in creating short up-styles. Among diverse patterns, the symbolism and image of traditional bomuns of were used because they could increase interest in classical culture and establish an identity with traditional culture by interpreting tradition in a modern style. The traditional bomuns can be divided into three types: Buddhist bomun, Taoist bomun and jap-bomun. Each bomun has a different origin, but they all symbolize ‘good fortune.’ Among them, a total of 12 hairpieces were designed based on the following patterns: 2 yeonhwa (‘lotus flower’) patterns (for Buddhist bomun); 2 bo patterns, 3 boun patterns, 2 jeonbo patterns, 1 wajam pattern, 1 swastika pattern and 1 boju pattern (for jap-bomun). Based on the said patterns, 29 hair accessories were developed. The hairpieces and hair accessories were produced using the basic techniques of C-curl, S-wave and up-styles such as overlapping, rolling, twisting, braiding and looping are performed under the design principles of ‘balance & emphasis, harmony and progress.’ For this development, the following materials are also used: Vinyl acetate emulsion, Woodlok adhesive, alcohol, hair, pearl, beads, accessories, hairpin and magnet. In terms of hair, the hair from a beauty salon was recycled. This study attempted to create a turning point in understanding the identity of traditional culture through traditional bomun-patterned hairpieces and hair accessories and to retain the signs that bring good fortunes and the meaning of a wish for good luck by creating up-styles using these hairpieces and hair accessories on special occasions such as weddings and parties. In addition, these hair pieces and accessories would be helpful in creating more diverse hairstyles by covering some problems that occur in creating certain up-styles because of short hair. As a result, hairdressers would be able to provide high-quality services. This study found some good results by applying for patent and design registration after seeing the possibility of beauty industrialization. To secure the objectivity of the hairstyles, an empirical study was performed. In terms of the factor analysis of hairpiece and hair accessory images on traditional bomun, two factors (adjective and antonym) were analyzed, named ‘Factor I (design)’ and ‘Factor II (practicality).’ The analysis found the following: In ‘design,’ ‘elegant’ was the highest with 0.622. In ‘practicality,’ in contrast, ‘preferred’ was the highest with 0.727. To determine hair piece and accessory images by age, an independent sample t-test was performed. No difference by age was found. According to a paired t-test on differences between hair piece and accessory images, the ‘bo pattern’ was the highest with 3.87 and 4.23 in ‘design’ and ‘practicality’, respectively. According to an independent samples t-test on image differences by hairpieces and hair accessories by age, the ‘boju pattern’ was the highest with 4.88 in ‘30-40s.’ In ’50-60s,’ on the contrary, the ‘yeonhwa (‘lotus flower’) pattern was the highest with 4.89. Therefore, analysis of feelings after hairpieces and hair accessories were decorated revealed that the level of satisfaction was higher when they were used in creating up-styles than when they were used individually. The study results have confirmed that traditional bomun-patterned hairpieces and hair accessories are practical. Therefore, it is expected that traditional bomun images will be newly designed, and traditional bomun-patterned items in the hair industry will become more practical, increasing their academic values, creating added values and ultimately facilitating traditional culture. ，韩语论文，韩语毕业论文 |
