This study was designed to examine Incheon Julpungnyu (String Ensemble), which has been transmitted since Incheon Institute of Korean Classical Music (仁川正樂院) was established in 1953 and local musicians started to be active. Geographically, I... This study was designed to examine Incheon Julpungnyu (String Ensemble), which has been transmitted since Incheon Institute of Korean Classical Music (仁川正樂院) was established in 1953 and local musicians started to be active. Geographically, Incheon is an important metropolitan area connecting Seoul and the Gyeonggi-do area. Despite its geographical importance, studies about the tradition and culture of Incheon remain small in number. In particular, research of Korean traditional music in Incheon is far more sluggish, compared to other areas. Against this backdrop, the author carried out research about <Incheon Julpungnyu> in an effort to contribute to the local cultural advancement and to suggest directions for futuristic development of Korean traditional music through in-depth discussion of the nature of Korean traditional music. The author learned Julpungnyu of Gyeongjae, that is, National Gugak Center, at undergraduate and postgraduate levels and as an Incheon resident, learned orally Incheon Julpungnyu from Master Kim Eung Hak of Incheon Julpungnyu Conservation Association, who is committed to passing down this music to local traditional musicians in his lifetime. In this course, musical difference between Gyeongjae (National Gugak Center) Julpungnyu and Incheon Julpungnyu drew attention of the author; Gyeongjae and Incheonjae have heterogeneous uniqueness in musical content. This means that two types of Julpungnyu of the two regions are neither in subordinate relationship nor in dominance relationship. There is a general prejudice that Incheon Pungnyu is Gyeongjae Pungnyu. Not to mention the author, most of the local Korean traditional music practitioners have been influenced wrongly by such prejudice. As a result, without any pride about the transmission of Korean traditional music and cultural and artistic identity, Incheon has been considered as a subordinate region, losing its driving force of cultural development. The author decided to undertake this study, raising fundamental questions about the prejudice that both of them are the same music work, given the name of Youngsanhoisang Julpungnyu. Additionally, Julpungnyu, or Youngsanhoisang, is a unique music piece different depending on region and person, and its name is shared due to historic and traditional view. The content does not need to be confined to a uniform music type and framework, but may vary dynamically by regional characteristic. This type of music is simply a name for impromptu characterized by unrestrained free variability, and the transmitters have taught the music to its bearers in different manner and at various regions of the country. A good example is a music performance of Haeguem duet called Gyeopyoungsanhoisang played by Professor Jo Ju Woo and Professor Jo Wun Jo at Umyeondan of the National Gugak Center in 1999. Currently, music pieces of Julpungnyu Youngsanhoisang are labeled by Gyeongjae (National Gugak Center), <In ____ (region)> or <Julpungnyu of _______(name of a person)>. Some of them have been designated as a National Intangible Cultural Asset, while others are classified “general type.” Today, this universal name of music piece classified broadly as Youngsanhoisang through diverse studies and for a number of reasons has been transmitted with a prejudice seeing its metaphysical variability as a fixed type of music in most cases. Without exception, under the influence of such prejudice, study on Incheon Julpungnyu has been regarded as unnecessary. Furthermore, reasons mentioned above have played a key role, in particular, among other obstacles to the study, which is the starting point of this study. In the case of Youngsanhoisang, there remain some ancient scores, but the original form of performance is unknown. It is also uncertain what made the original music disappear. Nothing is known about how some music pieces called Youngsanhoisangsan or Julpungnyu have been transmitted. They are believed to have been handed down among people in various methods including oral transmission by the teacher initiating the pupils into secrets. This is just as hundreds of folk song called Arirang have become popular in several regions, creating a certain image of the region, but transmitted to a group of people dynamically and uniquely without a single framework. Findings from an analysis of the name of Youngsanhoisang in history are below: 1. There are records about it in Hyangakjeongjaedoeuihak of King Seongjong. Yeonhwadae in Volume 5 of Akhakgwebeom(樂學軌範) compiled in August 1493 during the rein of King Seongjone, the 9th king of Joseon Dynasty. Cheoyongmu Hapseoljo says that it was a court music (鄕樂曲) with lyrics called ‘靈山會上佛菩薩’ and sung together with an ensemble. 2. The oldest (最古本) score of Youngsanhoisang remaining until now is Esusamsanjaebongeumgo『(二水三山齋本琴譜)』, a score for Geomungo written in the 17th century. Records show that the 15th century Youngsanhoisang changed into an instrumental music piece without lyrics in 『Esusamsanjaegeumgo(二水三山齋本琴譜)』 over 200 years later in 1651. 3. Indirect inference concerning the characteristics of Youngsanhoisang mentioned in Jo Un Jo’s Ewha Music Vol. 7. A Brief History of Korean Music. 4. Comments in the Development of Korean Modern Arts of Lee Seong Cheon published by The Sungshin Women’s University Press. 5. A Study of Youngsanhoisang of Hwang Jun Yeon published by The Seoul National University Press. 6. Variability of Youngsanhoisang mentioned in the Doctoral Thesis of Park Hee Jeong submitted to Hanyang University. 7. Frequently discussed in a variety of theses, books and publications. Literatures above indicate that the current Gyeongjae (National Gugak Center) Pungnyu and regional Hyangjae and some of individual Julpungnyu are simply an arbitrary transmission. Consequently, it seems unreasonable to claim legitimacy of specific Julpungnyu uniformly ，韩语论文网站，韩语论文网站 |
