在当下,全球的一切事物都曾经被贯穿连接起来。历来没有像明天如许,国度之间和文明之间交换的尽力有如斯之多的能够性。这类停顿的两个主要方面是国际互联网和全球化经济形状。2008年的经济危机反应世界各地之间的交换已经是绝后亲密。文明之间加倍慎密的接洽招致了文明的混杂,从而也招致了说话的混杂。当笔者走在北京的年夜街上,不只能看到汉字,也看到拉丁文字、韩语文字、日语文字、阿拉伯文字、西里尔字母,有时刻乃至是蒙文和藏文。假如可以把分歧的文字体系放在一路,同时坚持它们各自的特色和特性,又对其他的文明表示出认同和懂得,这是一种幻想的状况。本文第一章论述选题的启事,意义及笔者针对这一选题所做的后期调研。第二章论述中文的文字设计即汉字的设计汉字的来源、汉字的结构、汉字的书写及汉字的设计。个中汉字的书写从汉字的笔划、笔顺及构造来睁开;汉字的设计重要以时光次序从中国的篆刻艺术、晚期国际的美术字及现代设计师的汉字艺术睁开论述。第三章论述西文的文字设计即拉丁字母的字体设计拉丁字母的成长过程、拉丁字母的书写、拉丁字母的字体设计汗青及字体的分类。个中拉丁字母的书写从拉丁字母的字母形状、字母的附间距设计、字母书写的基线对齐轨则及拉丁字符的衬线由来睁开论述。而拉丁字母的字体为以下五年夜分类哥特体、手写体、衬线体、无衬线体、展现字体。第四章论述了文字的并存构思与一些并存的文字设计。起首论述文字的并存展台,从汗青上表述了中国汗青上汉字的拼音化活动;其次针对多说话社会文字的并存设计,分离举例论述了如今社会和古代设计中拉丁字母设计的中国化和中国字体设计的拉丁字母化测验考试。第五章是本文重点也是本文的文字的并存项目试验展现,展现了对水water这一命题的中西文的字体设计及试验的著作与结果。这篇论文的一个主要目的是在多说话文字的并存状况下,可以或许在表达统一个意思的时刻出现出一种协调同一的状况。经由过程自己的试验与剖析,笔者愿望在此对试验的状况与成果做一个梳理与总结。 Abstract: At the moment, all the things in the world have been through together. Never like this, between the country and the civilization exchange between a try so much to. The two main aspects of this kind of pause are the Internet and economic globalization shape. The exchange reaction between the economic crisis around the world in 2008 is unprecedented close. Double contact between civilizations rigorous cause culture of hybrid, thus leading to the talk of hybrid. When I walked on the eve of the street in Beijing, not only can see the Chinese characters, see Latin characters, Korean characters, Japanese characters, the text in Arabic, Cyrillic letters, sometimes carved and Mongolian and Tibetan. If you can put different writing systems on the way, and adhere to their respective features and characteristics, and on the other civilization show identity and understand that it is an illusion of the situation. The first chapter of this paper discusses the topics of reason, research significance and the later in this topic. The second chapter discusses the Chinese text design is Chinese characters design source, the Chinese characters Chinese characters structure, Chinese characters written and Chinese characters design. Medium of Chinese character writing from Chinese character stroke, the stroke order and structure to open; design character important in time sequence from the Chinese seal cutting art, advanced international calligraphy and modern designer of Chinese art open discussion. The third chapter discusses the Western text design the Latin alphabet font design the growth process of the Latin alphabet, Latin alphabet, Latin alphabet for writing and font design history and type classification. The Latin letters from the Latin alphabet letter shapes, letters with space design, letter writing and baseline of Qi rail Latin characters origin of the serif open discussion. The Latin alphabet font for the following five major classification of Gothic, handwritten, serif and sans serif fonts, show. The fourth chapter discusses the conception and design of some text text coexist coexist. First on the text of the coexistence of booth, from the historical representation of the Chinese history of Chinese Pinyin activities; secondly to talk much social text of coexisting design, separation for example discusses the nowadays society and the design of ancient Latin alphabet design of Chinese and Chinese font design of Latin alphabet test. The fifth chapter is the emphasis of this paper is the "text" test items coexist show, show the font design and test of the proposition of "water" water Chinese and Western literary works and the results. One of the main objective of this thesis is to speak more words in both conditions, may appear a kind of coordination of the same situation in the unified expression meaning time. Through the test and analysis of the process of their own, the test conditions and results the author wishes here to do a review and summary. 目录: |