| 现代情况陶艺，即现代情况中的陶艺，它是现代陶艺创作成长的一种新情势，相符现代陶艺的创作和设计审美理念，韩语论文题目，并易于被通俗年夜众所吸收，是现代陶艺创作中弗成或缺的主要构成部门，也是现代陶艺创作成长的一个必定。本文对现代情况陶艺创作的功效性停止了一个全新的诠释，并使我们在今后的理论创作进程中，以时光、空间、工资基准在施展材质特征的同时重视人与天然、人与艺术、人与情况的融会，剖析其现代情况陶艺创作多样性，在传统陶瓷艺术创作的基本上为现代情况陶艺创作注入新的血液及思惟，并为情况陶艺的成长供给了实在的实际根据和价值引诱。在现代情况中现代情况陶艺的创作不只是物资文明的沉淀更是现代人对精力文明条理升华的成果，本文试图以韩国麦粒音乐厅为例，论述现代情况陶艺创作联合创作中的各身分，如音响、修建、陶瓷间互相感化互相碰撞，所迸收回的新思惟及创作中的新理念，韩语论文网站，从而建构出一种跨专业、跨学科的新的设计理念。 Abstract: Modern ceramic case, modern conditions of pottery, it is the growth of modern ceramic art creation of a new situation, conform to modern ceramic art creation and design aesthetic concept, and easy to be absorbed by the popular masses is in the creation of modern ceramic art indispensable important component, is also the growth of modern ceramic art is an inevitable. In this paper, to the modern situation of ceramic art effect of the stopped a new annotation, and enable us to in future theoretical creation process, with time, space, the benchmark wage cast material characteristics at the same time attention fusion of man and nature, man and art, people and situations, analyzes the modern situation of ceramic art creation diversity, in the traditional ceramic art basically for the creation of the modern situation of ceramic injected new blood and thinking and for the growth of ceramic supply the real theoretical basis and value to lure. In modern conditions in the creation of ceramic art of the modern situation not just the precipitation of material civilization is of modern spiritual civilization organized sublimation results, this paper attempts to wheat music hall, South Korea as an example, discusses modern situation of ceramic art creation and the creation of the identity, such as audio, building ceramics, affects mutually collide with each other, blend to recover the new ideas and the creation of new ideas, so as to construct a multi-disciplinary, interdisciplinary new design concept. 目录: 摘要 3-4 Abstract 4 引言 6-7 第一章 绪论 7-10 1.1 本课题的探讨背景、目的和意义 7 1.2 本课题的探讨近况及不足 7-10 第二章 概念的界定与综述 10-14 2.1 当代环境陶艺概述 10-11 2.2 韩国麦粒音乐厅的设计综述 11-14 第三章 韩国麦粒音乐厅中所体现的当代环境陶艺创作 14-29 3.1 当代环境陶艺创作中艺术与空间的碰撞 14-18 3.1.1 科学与艺术的融合 14-16 3.1.2 环境空间的介入 16-18 3.2 当代环境陶艺创作中材料与技术的突破 18-22 3.2.1 陶瓷材料与建筑材料的功能附着 18-21 3.2.2 陶瓷材料与音响的功能附着 21-22 3.3 当代环境陶艺创作中人的审美需求 22-27 3.3.1 当代环境陶艺创作的人性化理念 22-25 3.3.2 当代环境陶艺创作的自然意识与生态审美 25-27 3.4 当代环境陶艺创作中各文化领域间的相互作用 27-29 第四章 韩国麦粒音乐厅对当代环境陶艺创作的借鉴意义 29-33 4.1 当代环境陶艺创作内容与精神的创新 29-30 4.2 当代环境陶艺创作的综合性与对话性的发展 30-31 4.3 当代环境陶艺创作艺术家个性的展现 31-33 第五章 结语 33-34 致谢 34-35 参考文献 35-37 附件 37-48 硕士毕业生信息表 48 |
