| 山君是韩国最具意味性的植物，在生涯与情绪方面赐与韩国人伟大的作用，在韩国以山君为主题的艺术著作层见叠出，韩语论文，韩语论文题目，个中朝鲜时期前期平易近间艺术里的虎图平易近画最具代表性。虎图平易近画的意味性照实地表示出韩国传统文明固有的特色和平易近族情绪的特征。以鹊虎图为例剖析虎图平易近画，研讨以滑稽性为代表的韩国艺术之美。起首剖析地舆配景、社会经济配景和崇奉配景，然后环绕虎图论述韩国绘画的汗青，重点考核朝鲜时期前期的平易近画，平易近画因为较少受外来文明作用，更集中地表现出韩国人的情绪特征，这类情绪特征即滑稽性直接反应在鹊虎图的创作中。鹊虎图将统治阶层比方成山君，将庶民比方成喜鹊，山君温柔憨傻好笑，喜鹊优雅聪颖强势，以脚色的交换滑稽奇妙地隐喻出严苛的社会实际。经由过程剖析根植于韩国文明的滑稽性表示办法，一方面寻找在实际中激活传统的办法，一方面为更好地比较懂得其他国度的文明打下基本，也为中韩两国的文明交换尽菲薄之力。 Abstract: Tiger is South Korea's most means of plants and great influence in the career and emotion and give of Korean, in South Korea to tiger theme works of art emerge in endlessly, medium during the Korean early plain in art in the tiger plain near painting is one of the most representative. The meaning of the tiger figure shows the characteristics of the Korean traditional culture and the characteristics of the national mood. The magpie tiger of tiger's painting, to explore a beauty of art as the representative of South korea. Analysis of the first geographical background, social and economic background and worship with king, then surround the tiger figure discuss the history of Korean painting, focusing on assessment of North Korea during the early folk paintings, folk painting because less affected by the impact of foreign culture, more concentrated showed emotional characteristics of Korean, emotional characteristics of this kind of funny direct reaction in the creation of the magpie of tiger. Magpie tiger will rule class such as Cheng Shanjun and plebeian for example magpie, tiger gentle, funny, magpie and elegant bright strong, to exchange the role of funny wonderful metaphor harsh social reality. Through the analysis of the process of rooted in Korean culture comical representation, on the one hand for activation of traditional methods in practice, on the one hand, in order to better knows culture of other country and lay a basic, for civilization of China and South Korea Exchange as meager force. 目录: 摘要 5-6 ABSTRACT 6 绪论 8-10 一、探讨问题和探讨意义 8-9 二、探讨措施和探讨程序 9-10 第一章 韩文化形成的渊源与韩国之美 10-22 第一节 地理背景 11-13 第二节 社会经济背景 13-16 第三节 信仰背景 16-22 第二章 韩国绘画与虎图 22-29 第一节 韩国绘画的历史与虎图 23-26 第二节 朝鲜时代的绘画与虎图 26-29 第三章 民画与虎图 29-33 第一节 民画的定义与其特点 29-30 第二节 虎图民画的分类与其内容 30-33 第四章 鹊虎图与诙谐性 33-39 第一节 韩国文化里的诙谐性 34-35 一、诙谐的定义 34 二、韩国文化的诙谐性 34-35 第二节 鹊虎图里的诙谐性 35-39 一、诙谐性与地理背景 35-36 二、诙谐性与社会经济背景 36-37 三、诙谐性与信仰背景 37-39 第五章 结论 39-41 参考文献 41-43 致谢 43 |
