| 装配艺术的概念是从英语installation art翻译过去，它自己是修建学的术语，后被应用于戏剧范畴，泛指可被拼贴、安排、挪动、装配的舞台布景及其零件。本世纪初，这个辞汇又被引入现代美术，描写那些与传统美术形状完整分歧的著作。将装配艺术的一些办法和具象雕塑联合，不只能使得著作从视觉上有很强的新颖感和冲击力，也使我加倍方便自在地做出我想要的器械。装配艺术选择资料的空间很年夜，韩语论文范文，还可以运用光、声、电使著作加倍有张力。异样的，在著作展现上，联合了装配艺术的具象雕塑和传统的具象雕塑很纷歧样。传统的具象雕塑常常只是架上艺术，和不雅众的交换措施比拟单一。联合了装配艺术的具象雕塑可以与不雅众发生多种多样的接触措施，同时也能够很充足天时用展现的空间，使之为著作增加氛围。将装配艺术融入具象雕塑的做法，韩语论文题目，使得创作的时刻须要掌控的身分变多，但是假如处置适合，创作者会好像导演或许是交响音乐的批示，创作出或行云流水的富有戏剧性的著作或节拍光鲜的有冲击力的著作。 Abstract: The concept of assembly of art is from the English translation of art installation in the past, it was built the term was later used in the drama category, refers to the scenery and parts spell paste, arrangement, move and assembly. At the beginning of this century, this speech was introduced into the modern art, which describes the work that is completely different from the traditional art form. A combination of some of the methods and the concrete sculpture of the assembly, not only makes the work of a very strong sense of novelty and impact, but also makes me more convenient to make the device I want. Assembly art selection of space is very large, but also can be applied to light, sound, electricity to make the work more tension. Likewise, in the work of the work, it is quite different from the figurative sculpture of the assembly and the traditional figurative sculpture. The traditional figurative sculpture is often just an art, and the exchange of the audience is relatively simple. Combined with the sculpture of the art of assembly can be a variety of different methods of contact with the audience, but also can be a very good time to show space, so that the work adds atmosphere. The assembly of art into figurative sculpture practice, makes the moment of creation to control identity change, but if for disposal, as may be directed by creators of symphonic music creation instructions, or dramatic works freely flowing style of writing or a bright beat impact force works. 目录: 中文摘要 4-5 Abstraction 5 引言 6-7 第一章 韩国雕塑历程 7-9 1. 韩国近代雕塑 7-9 1.1 1910年～1950年：近代雕塑的引进 7-8 1.2 1951年——1990年: 韩国雕塑的变革时期 8-9 2. 韩国当代雕塑（1990至今） 9 第二章 韩国当代具象雕塑的新趋势之一融合了装置艺术 9-15 1. 主要艺术家 9-13 1.1 金锡 9-11 1.2 柳仁 11-12 1.3 金永元 12-13 2. 主要表现 13-15 2.1 当代具象雕塑著作形式上与装置艺术方面的融合 13-14 2.2 当代具象雕塑制作上与装置艺术方面的融合 14 2.3 当代具象雕塑展示上与置艺术方面的融合 14-15 第三章 结论与启示 15-18 1. 结论 15 2. 谈谈我关于具象雕塑与装置艺术结合的创作手法的看法和我的毕业创作的制作 15-18 致谢 18-19 注释 19-20 参考书目 20-21 |
