| 近几年，韩国度庭剧随同着收集和各地电视台纷纭引入，敏捷在我国以致东亚地域掀起收视高潮。它从四个方面临中韩两国跨文明流传起桥梁感化。本文从这四个方面剖析了韩国度庭剧胜利的经历，并响应地阐述了我国同类剧的缺乏的地方。本文分为引言、注释、结语三部门。注释部门由分四个章，每章都是分三节。这三节都有固定的形式，都是第一节先阐述中国度庭剧方面的特色，第二节阐述韩国度庭剧在相干内容上的特色，第三节从二者的论述比拟中获得的启发。在引言中，重要阐述了韩国度庭剧在中的播出情形，这类电视剧的界说，和两国在家庭剧方面的代表著作。第一章，重要从家庭剧的创风格格停止论述。起首，中国度庭剧在内容上重视描述家庭的所处的窘境，相对情节强度偏高，悲情化元素参加；在表示情势上，画面和音乐降到主要位置。其次，韩国度庭剧在内容上以情贯串描述琐碎的平常生涯，添加悲剧元素，相对情节强度偏低，能减缓处于快节拍的古代人们重要的精力；在表示情势上，运用细节、画面、音乐等细腻地展示内容。最初，从以上方面的比拟得出，中国度庭剧应当在内容上削减此类剧的悲苦成份，给情面绪的抓紧；在情势上，多元地展示画面描述的内容。第二章，重要从家庭剧的品德文明方面阐述。起首阐述中国度庭剧在品德文明方面许多缺掉。其次，韩国度庭剧在品德和文明方面临传统儒家文明的继续，很好地把电视寓教于乐的功效施展出来，而且和古代文明完善联合起来。中国度庭剧在这方面绝对就有许多缺掉；最初，从以上比拟获得启发，在高速成长的古代文明中继续传统文明，看重家庭不雅念，给不雅映着必定文明陶冶。第三章，重要从家庭剧的制造流传方面来阐述。起首，中国电视剧在制造和流传进程中，都和不雅众脱节，形成许多不用要的糟蹋；其次，韩国度庭剧采取边写边拍边播的措施制造节目，在这一进程中充足施展不雅影者的积极性，让其参加剧情的评论辩论，按他们的爱好来制造电视剧，从一开端就捉住市场的走向；最初，从二者的比拟中获得启发，完美制播体系体例，树立优越的反应机制，依据不雅众反应掌握电视剧的成长偏向，多制造精品电视剧，各地电视台尽可能协商分歧，防止过量反复播放带来资本的糟蹋。第四章，重要从家庭剧的经济价值方面来阐述。起首，中国度庭剧精品少，并且由于自己制造方面的缺点，国际市场、国际市场占领率均不高，而且相干行业成长不实时，招致纯真依附收视率这类单线成长，韩语论文网站，经济收益渠道单一；其次，阐述韩国度庭剧有一整套成长筹划，国际市场、海内市场成长异常完整。电视剧的非荣成长带动国际市场的相干行业及其他行业的飞速成长；海内市场占领率高，给本国经济带来必定水平的成长；最初。从二者比拟获得启发，积极拓展国际国际两个市场，韩语论文范文，年夜力成长相干行业及其他行业，让电视剧从多个渠道受害，在必定水平上带动经济的成长。本文经由过程以上几章的阐述，从跨文明的研究中，得出我国度庭剧成长的启发，可以或许在必定水平上完成家庭剧制造程度的进步，并在这个基本上带来文明的传承和经济的收益。 Abstract: In recent years, South Korean family drama along with the collection and TV stations around the diverse introduced agile in our country that the East Asian region set off upsurge in ratings. It is from the four aspects of China and South Korea plays a role of bridge cross civilization spread. This paper analyzes the South Korean family drama successful experience from these four aspects, and explains the lack of response where similar drama in china. This paper is divided into introduction, notes and conclusion of three departments. Note by the Department is divided into four chapters, each chapter is divided into three sections. Have a fixed form of the three sections, the first section firstly elaborates the characteristics of Chinese family drama, the second section describes South Korean family drama in coherent content characteristics. In the third section, the discussion from the second match in the inspiration. In the introduction, elaborated the South Korean family drama in the broadcast case, the definition of this kind of TV plays, and the two countries in terms of family drama representative works. The first chapter, from a family drama style is discussed. First and foremost, Chinese family drama in attention to describe the family of the dilemma, relative high strength of plot, tragic elements in; in that situation, pictures and music down to the main position. Secondly, South Korean family drama in content with affection perforative describe trivial daily life, adding elements of tragedy, relatively low plot intension, can slow down in the fast rhythm of the ancient one of the most important energy. In that situation, the details of the application, images, music, and delicate display in content. Initially, from the above comparison can, Chinese family drama should cut the miserable component of this type of drama in the content, sensibilities thread to pay close attention to; in the situation, multiple display picture description of the content. The second chapter, from the aspects of family drama of moral civilization. First of all this China family drama in many aspects of the lack of moral civilization. Secondly, South Korean family drama in morality and civilization Pro traditional Confucian civilization continues, is the TV entertaining effect display out, and ancient civilization perfect together. Chinese family drama in this respect definitely have many missing. Initially, from the above comparison for inspiration, in the high-speed growth of the ancient civilizations to traditional civilization, value family and don't ya Nian, to indecent reflect a certain culture. The third chapter, from the important manufacturing family drama spread to elaborate. First of all, Chinese TV series and spread in the manufacturing process, and the audience are disjointed, form many do not want to spoil; secondly, South Korean family dramas take writing method of shot broadcast production program, the enthusiasm in the process full of indecent shadow, let them in the play the comment on the debate, according to their hobbies to make a television drama, to catch the market from the beginning; first, get inspiration from the match of the two, perfect production system, establish the reaction mechanism of superior, based on audience response to the growth of drama bias, many manufacturing quality television, local television Taiwan consensus as much as possible, to prevent excessive repeated capital waste. The fourth chapter, from the important economic value to the family drama. Chapeau, less fine Chinese family drama, and due to the drawbacks of their manufacturing, international market, international market occupation rate was not high and coherent industry grow not in time, lead to pure attachment ratings this kind of single growth and economic income channel single; secondly, described the national court of Han drama is a set of development planning, international market, domestic market growth abnormal integrity. TV drama non wing growth driven by coherent industry and other sectors of the rapid growth of the international market, the domestic market occupation rate is high, brought to the national economy must be level; initially. From comparing the two inspiration, and actively expand the two international market, strong growth of coherent industry and other industries, to let the drama suffer from a number of channels to a certain extent to promote economic growth. In this paper, through above several chapters of exposition, from the cross-cultural research that inspired the growth of our country court drama, perhaps to a certain level complete family drama production level of progress, and on the basic of this bring the benefits of the heritage of civilization and economic. 目录: |
