歌剧洪湖赤卫队是歌剧舞台上一部具有连续艺术魅力的平易近族歌剧。韩英是该剧中最重要的脚色,韩英唱段(洪湖水,浪打浪、没有眼泪,韩语论文范文,没有悲痛、看世界劳苦国民都束缚)占领了全剧音乐较年夜的构造空间,在全剧音乐构造中处于主要的构造地位,并使该剧音乐具有“板腔体”音乐构造特点,韩语毕业论文,故具有主要的音乐构造意义。韩英唱段还具有主要的艺术表示意义:韩英唱段作为一种充斥内涵构造张力和比较身分的音乐段落,自己具有激烈的音乐抵触性;韩英唱段塑造出了韩英的艺术抽象,并与刘闯抽象构成比较;韩英唱段推进了情节成长和戏剧抵触的睁开,提醒和深化了该剧的主题思惟。这些都增强了歌剧的戏剧性。韩英抽象是多种文明抽象的复合,具有多元文明意义。韩英是一个“女豪杰”,但她又是一个被淡化了性其余女豪杰,一个被男性化了的女性抽象;韩英是一个“反动者”,具有反动的自发认识和高尚的思惟境地,她大智大勇,老练庄重,临危不惧、舍身殉难;韩英是一个“渔家女”,歌剧洪湖赤卫队具有浓烈平易近族特色和光鲜处所特点的表示情势和音乐作风都成为这个“渔家女”的文明符号。韩英唱段的演唱和韩英抽象的塑造须要熟悉和掌握韩英抽象的文明身份。 Abstract: Honghu opera "Red Guards" is an opera on the stage, with continuous artistic charm of the national opera. Hanying is in the play the most important role, Hanying aria (the lake water, the waves "," no tears, no grief, the watching world labor national chains ") occupied the spaces in the structure of the music is the eve of the, in the structure of the music in the main structure to position and make the play music with" in chamber music structural characteristics, so it has major music tectonic significance. Hanying aria also has art the main meaning: these Arias as a full of connotation construction tension and compare them to the identity of the musical passage, with its intense music conflict; these Arias create Hanying abstract art, and compared with Liu Chuang abstract composition; Han Ying aria advance the plot growth and dramatic conflict in the open, reminders, and deepen the thematic thought of the play. These all increase the drama of the opera. Han Ying abstraction is a complex of many kinds of civilization, and it is of multiple civilizations. Hanying is a "female hero", but she is a was watered down the rest of the female hero, a masculine female image; Hanying is a "reactionary", with reactionary spontaneous understanding and noble thought situation, her courage and wisdom, tact and solemn, courage, sacrifice and martyrdom; Hanying is a "Fisher girl", opera Honghu has strong ethnic characteristics and bright local characteristic of the said situation and music style have become the "Fisher girl" symbols of civilization. Han Ying aria sings and Korean English abstract shape need to be familiar with and master Han Ying Abstract civilization identity. 目录: 摘要 3-4 Abstract 4 引言 6-8 第一章 韩英唱段的音乐及戏剧功能 8-13 一、韩英唱段的音乐结构功能 8-10 二、韩英唱段的戏剧表现功能 10-13 第二章 韩英唱段的音乐略论及演唱 13-21 一、洪湖水,浪打浪的略论和演唱 13-15 二、没有眼泪,没有悲伤的略论和演唱 15-17 三、看天下劳苦人民都解放的略论和演唱 17-21 第三章 韩英的艺术形象及文化内涵 21-27 一、作为“巾帼英雄”的韩英形象 21-23 二、作为“红色经典”人物的韩英形象 23-24 三、作为“民族歌剧”人物的韩英形象 24-27 结论 韩英唱段的表演与形象塑造 27-28 注释 28-31 附录 31-33 一、文献索引 31-33 二、三个唱段 33 |