| 经由过程对20世纪初中韩两国意味主义诗人李金发、黄锡禹的诗歌停止比拟研究，从两个方面临这两位意味主义诗人停止了体系的阐述：1、二十世纪初意味主义在中韩两国的流传；2、李金发、黄锡禹的诗歌文本比拟研究。第一部门重要从汗青文明配景来考核中韩意味主义诗人李金发、黄锡禹的诗歌创作。在整体的汗青文明配景下，看两小我对统一个东方文学思潮一意味主义的懂得和接收。在中韩两国接收意味主义的进程中，表示出两个雷同点：二十世纪初的意味主义文学思潮在中韩两都城带有一种弗成防止的混杂性，而且都深受被日本过滤后的意味主义的作用。第二部门是论文的主体部门，从李金发和黄锡禹详细的意味主义诗歌动身，用平行研究的办法对诗歌文本的主题、意象、李金发和黄锡禹诗歌中所表现出的过渡性三个方面停止了比拟研究：1、在主题比拟中，以逝世亡主题和颓丧主题为切入点，比拟李金发和黄锡禹在诗歌创作中表示出的主题差别性：他们都认识到了逝世亡，并在诗歌中充足表现出他们对逝世亡的熟悉一李金发绝对而言更果断一些，而黄锡禹则选择了“隐遁”；在颓丧主题中，黄锡禹的表示要比李金发激烈，并随同着浓重的虚无主义偏向。2、比拟二人的诗歌意象时，以天然景物意象和宗教意象为存眷点停止了考核。面临天然时，李金发和黄锡禹显著选择了分歧的情绪取向；在运用宗教意象入诗的时刻，表示出很年夜的分歧一李诗有一种昏黄的宗教颜色，黄诗则吐露出天人合一的思惟。3、在说话和文学过程上，李金发、黄锡禹二人都表示出了处于社会转型期的说话特色和文学过程中多种思惟、派别互相感化互相作用的特色。活着界文学史的成长进程中，现代的西方文明和东方世界是绝对关闭的，直到近代社会这类情形才被打破。跟着近代社会政治经济格式的更改，东方文学思潮的传入，对西方文学发生了弗成磨灭的作用。这一论题也恰是这类作用的一个个别性表现。并且经由过程以上的剖析，韩语论文范文，可以看出同属于西方华文化圈中的中韩两国在接收东方意味主义文学思潮的进程中，都表示出了一种带有丰硕平易近族特征的个性；而李金发和黄锡禹在接收内化意味主义的进程中所表示出的类似性和相异性，也恰是论题的写作目标。 Abstract: Through to the middle of 20th century South Korea means poet Li Jinfa, Huang Xiyu poems compare research, from two facing the two means romantic poet stopped the elaboration of the system: 1, the beginning of the twentieth century that doctrine circulating in China and South Korea; 2, Li Jinfa, Huang Xiyu poetry text comparison research. The first sector is important from the historical and cultural background to assess the Chinese and South Korean means that the poet Li Jinfa, Huang Xiyu's poetry creation. In the overall historical and cultural background, to see the two people on the unity of the eastern literature thought a means of understanding and reception. In China and South Korea receiving symbolism process, showing two similar point: at the beginning of the 20th century that literary trend in the two capitals of China and South Korea with a Eph into prevent mixed, and are deeply influenced by Japan after filtration of symbolism. The second sector is the main body of the Department, from Li Jinfa and Huang Xiyu with that poetry set out three aspects shown by the parallel research method of the poetry text theme, image, Li Jinfa and Huang Xiyu's poetry in the transitional were compared: 1, in comparison to the death theme, theme and theme of decadence as the starting point, the difference between Li Jinfa and Huang Xiyu is the theme expressed in his poems: they are aware of the death, and in poetry enough to show they are the death of Li Jinfa is absolutely familiar with a more decisive, while Huang Xiyu chose the "reclusive"; in the sad theme, Huang Xiyu the said than Li Jinfa and fierce, with a strong tendency of nihilism. 2, compared to the two person's poetry image, the natural scenery image and religious image as the focus of attention to stop the assessment. The face of natural, Li Jinfa and Huang Xiyu significantly chose the differences of emotion oriented; in the application of religious imagery in poetry of the moment, expressed very big differences between Li's poems have a yellow color of religion, Huang Shi spit exposed harmony thought. 3, in the process of speaking and literature, Li Jinfa, Huang Xiyu two people have said that in the social transformation period of the characteristics of the talk and the literature process of a variety of ideas, factions interact with each other to influence the characteristics of. In the process of the development of literary history of the world, modern western civilization and Eastern world are absolutely closed, until modern times, this kind of situation is broken. Follow the change of modern social political and economic pattern, the introduction of Oriental literature, western literature occurred Eph into an indelible impact. This thesis is also a particular manifestation of this kind of influence. And through the analysis of above, you can see that belong to the Chinese and Western cultural circle in China and South Korea receives orient means in the process of literature, expressed with rich plain near family characteristics of personality; and Li Jinfa and Huang Xiyu in receiving internalization means "the process of showing the similarity and dissimilarity, it is precisely the topic of writing goal. 目录: |
