Art enabled fashion to expand its uniqueness and new technique as socially and culturally being in line with the fashion. In this context, ‘Art Brut’ meaning ‘all kinds of artistic works including paintings or sculptures differentiated from existing arts in the established institution’ is significant as the source of creative design by showing a variety of techniques which are not bound or become a routine custom. Jean Dubuffet, the French artist creating the concept of Art Brut, was substantially influenced from the book 《Bildnerei der Geisteskranken》(1922) by Hans Prinzhorn, a German psychiatrist and artist analyzing the works by the mentally ill in the aesthetic aspects as well as in psychological aspects. Hans Prinzhorn introduced the concept ‘formation impulse’ to the figurative formation activity of a human being in his book and defined six elements, expression desire, impulse of amusement, impulse of order, impulse of imitation and impulse of symbol expressed around the formation impulse, as ‘Borderlands of Figurative Formation.’ Using the borderlands of figurative formation, Hans explained various kinds of formation types including figurative works by all kinds of people who didn’t have professional art education as well as the mentally ill. Furthermore, it is said that he gave the critical impact for creation of the new field of art, ‘Art Brut’, by embracing even the works by the non-professional people who didn’t have the art education. Accordingly, this aimed to observe and investigate the figurative feature with the psychological view points as the pictorial expression technique on the assumption that a fashion design was a kind of figurative art works. Then, the Art Brut collections by Jean Dubuffet were classified and analyzed on the basis of six formation impulse concepts by Hans Prinzhorn. Furthermore, the analysis results on the expression technique observed in Art Brut works and the application of those technique to fashion design and the results are presented below. Atypical expression was expressed as ‘Atypical silhouette and pattern’ in the fashion as the expression technique related to the disorderly scribble. It expressed autonomy in the design destroying the existing forms and distorting a human body and amusement as well as impromptu in the pattern having scribble-like drawing expression. Decorative space expression was related to the amusement drawing which the impulse of order was dominantly observed. In fashion, it was related to the pattern. The pattern was segmented into ‘pattern with geometric figures’, ‘pattern with regularly arranged figures’, and ‘pattern mixing geometric figures and regularly arranged figures.’ The pattern demonstrated the rhythm and regularity. Child painting-like expression is related to the simplification and simultaneous lineup features of imitation in the amusement drawing which imitation pulse is predominant. The figurative simplification and simultaneous lineup feature of motives were mixed in the fashion and expressed as the ‘pattern lining up the simplified imitation at the same time’ and ‘expression of primary colors’. In this aspect, the figurative beauty of simplicity and purity were identified. Decorative imitation expression is also related to the amusement drawing which imitation pulse was dominantly observed. It was observed as ‘pattern mixing decorative space expression and imitation expression’ and ‘pattern conflicting and clashing the decorative space expression and imitation expression.’ It was used to express harmony, rhythm and regularity. Symbolic expression was observed as the ‘pattern expressing the symbolic meaning’ using the alphabets, symbols, religion or other symbolic images as the design elements. It was applied to express amusement, suggestion, sexuality and religious symbolism. Expression describing hallucination is related to the cartoon structure expression. It was observed as the ‘pattern with the cartoon-like expression describing amusement and fantasy in the fashion.’ Furthermore, some specific characters had the symbolism. This is significant on the aspect that it explains and describes the conception on expression techniques and invisible imagination, that is, design, as the concept of figurative formation impulse with the art works ‘Art Brut’. The analysis results on the figurative features of fashion design observed in the expression technique of Art Brut as investigated in this may suggest the possibility to interpret a variety of fashion designs with open viewpoints and be used as the creative design element. ，韩语论文范文，韩语论文网站 |
