Is the Chinese Chinese characters recorded text symbols, is one of the world's most old, has been six thousand years of history. South Korea and Japan and other countries before the invention of the text itself, all written records to borrow China Chinese characters. Later, South Korea and Japan invented may show Korean and Japanese phonetic symbols, through long-term development is perfect, become the ancient Korean and Japanese. However, because Chinese characters has been rooted in South Korea and Japan to speak in Chinese, Korean and Japanese are therefore cannot do without Chinese characters and vocabulary Chinese characters. Finally, in South Korea and Japan to receive Chinese and Chinese characters, can directly simulate the Chinese speech at that time. However, because in different languages absorption with different structure of Chinese is, in these countries the absorption of Chinese phonetic happened very big change and follow the passage of time, according to the two countries speak phonological changes, the two countries pronunciation of Chinese characters also produced change and growth, is, currently the country of Chinese phonetic once showed significant difference. This paper will compare research in ancient Chinese speech has already vanished in the mediaeval Chinese pronunciation system "(voiceless velar consonants? ) "and" g "and" Y "in South Korea and Japan Chinese characters sound sounds in response to Chinese characters. In the present study, has been included in "more than 9000 Chinese characters Chinese characters in ancient music", "(? ) "and" g "and" Y "as the initial 1075 Chinese characters as the research object. Of these 1075 Chinese characters of Korean Chinese characters sound is a reference to the "big dictionary" in Chinese and Korean and Japanese pronunciation, tone Chinese characters is based on the "new version" of the sound source Chinese characters Chinese characters stopped rectification. The first chapter explains the writing thought, reason, research materials and research methods, and summarizes the existing research situation. The second chapter is an important staging of Chinese history, constitution, South Korea Chinese characters sound sound and a variety of Japanese Chinese characters made a brief description. Chinese history, stage cannot speak Chinese history, but how to stage, its lower and upper bounds to the views of scholars is not divided. Because the research of this paper is related to the Chinese pronunciation of Korean and Japanese pronunciation is to need to speak in ancient times before enter the notes. Today, no one on the ancient stage and problems, a complete comb. This will be Qieyun tone as a benchmark, before the era of naming in ancient times, from Qieyun tone era to division of the Tang Dynasty to the middle ages. A sound experience in South Korea Chinese characters a long historical process, which contains Chinese characters sound standardization has to stop. From the time point of view, South Korea Chinese characters sound stage is equivalent to a China in the Sui and Tang Dynasties, South Korea Chinese characters sound maternal is Qieyun tone. Japan is divided into Chinese characters sound sound, sound, Wu Han, Tang Songyin, Xi Yongyin and other ancient music. Wuyin womb is north and south towards the era of Jiangnan speech; Han Yin later than Wu Yin, its mother's womb is the Sui and Tang Dynasties Chinese tone; sound of Tang and Song Dynasty is in the song, yuan, Ming Dynasty era Chinese tone; ancient music is nearly a hundred years in China spread to Japan to the vocabulary pronunciation; conventional sound is refers to some Wu phonetics, Chinese pronunciation, Tang Songyin in pronunciation to produce correct reading and other sounds. In the third chapter, specifically from has been included in the schedule of the ancient Chinese sound out in the "d" initials of 284 Chinese characters, standard clear every Chinese characters in ancient, ancient music, modern music and ancient music, and rectifying the and these characters should be the absolute Korean pronunciation of Chinese characters and kanji. Based on the rectification of the Korean pronunciation of Chinese characters, stop response analysis and study of the obtained conclusion is "an important effect for the tone of Chinese characters in Korean consonants" 0 ", and the Department was to" door "and" into "and" language ". Through a detailed example analysis, discusses the Department onsets are response for "door" and "into", "word". The reason lies in analogy sound perhaps traditional rhyme book differences exist. The conclusion is about the Japanese Chinese characters sound "D" in Chinese and Japanese Wu pronunciation sound can be read as "party" for sound. "D" corresponding to the "force" in the Music Department of the Japanese Chinese characters of music, but most of these belong to the Tang and Song Dynasties may use voice tone. In the fourth chapter take the similar to that of the third chapter, from has been included in the schedule of the ancient Chinese sound out of the "g" as the initials of the 227 characters, rectify the corresponding to these Chinese characters in ancient, ancient music, modern music, ancient music, the tone of Chinese characters in Korean and Japanese Chinese pronunciation. Through comparative analysis, the conclusion obtained is the second "g" important and consonants in Korean pronunciation of Chinese characters in the "door" should be the absolute, while there are two words with the "0" and "the cloud" the absolute, however the reason lies in the existence of rhyme difference and the word multi tone of the scene. Conclusions about the Japanese pronunciation of Chinese characters is the "g" in Japanese Wu Yinzhong read "square" sound, and in the Chinese pronunciation read "force" the voice. In the fifth chapter also took the same way, from has been included in the schedule of the ancient Chinese sound out of the "Y" as initials 564 characters, rectify the corresponding to these Chinese characters in ancient, ancient music, modern music, Gu Daiyin, Korean pronunciation of Chinese characters and kanji. Through comparative analysis, the conclusion is "Y" and South Korea Chinese characters sounds in consonant Xixi "language" should be absolutely. In addition, in addition to "language" and "outside the door", "0", "the word should be" absolute cases analysis, the reason and the clear response. The conclusion is about the Japanese Chinese characters sound "Y" do "for Wu Yinzhong sound in the important read, but in Chinese music reads" force "for sound. In addition, to read in Chinese pronunciation in Wu Yin, "" the voice "for" may sound Chinese characters character example analyzed, introduced the reason of response. The sixth chapter of this paper summarizes important comprehensive summary. This paper believes that scholars and research study speech Chinese and Korean and Japanese speaking three system bring great sponsorship. Key words in ancient Chinese music, mainly, voiceless, Korean Chinese characters sound, Japanese Chinese characters sound ah 目录: |
