| 本论文研究的目标是比拟中韩两国的千手不雅音图。千手不雅音的准确称号是千手不雅音不雅世音菩萨或前臂千眼不雅世音菩萨，梵文称号为Sahasrabhuja一avalokitasvara。千手不雅音菩萨有一千只手，每只手都有一只眼睛，能看破一切人的苦楚，意味着用这一千只手济度他们的释教欲望而尽人皆知。千手不雅音图的肖像基本最广为人知的有千手经、年夜日经。千手不雅音的图象跟着崇奉的成长程度和图象的多元化，依据时期须要被借用或与中国传统故事相联合涌现中国式的千手不雅音等，阅历了各类情势的演化和成长。据史料记录，千手不雅音在亚洲特别是在中国最风行。因为地舆地位的关系，韩国受中国的作用很年夜，释教和佛画中都可以追随到其相干性。值得留意的是，即便是从中国传入韩国，但跟着时光的流逝，韩语毕业论文，渐渐地和韩国外乡文明相融会，表示了韩国式画风和释教教理。韩国佛画艺术到了高丽时期很蓬勃，可以代表高丽时期的美术。其时所画的佛画许多，但如今只剩一个。高丽时期今后，韩国不怎样画千手不雅音图。除去古代著作，包含高丽和朝鲜时代所画著作，也只要3幅。中国唐代时代千手不雅音崇奉到达壮盛，随后也涌现了很多千手不雅音图。特别是莫高窟的千手不雅音图最多，元朝的第3窟里的千手不雅音图可以说是中国的代表之作。在韩国，韩语毕业论文，现存的千手不雅音图很少。个中高丽时期画的千手不雅音图可以与中国莫高窟的相媲美。高丽王朝和元代存在的年度简直雷同。两国千手不雅音图有类似的特点。第一千手不雅音的结构为正中心并且年夜小最年夜，第二两国千手不雅音脸部长相有相当类似的感到。两国画千手不雅音图象时，依据的经典分歧，所以两个千手不雅音的家属有所分歧。这解释中韩两国对千手不雅音的成长汗青有所分歧。 Abstract: This paper aims to compare China and South Korea must not Yayintu. Senju indecent sound accurate title is Qianshou indecent sound not elegant world sound Bodhisattva or forearm thousand eyes indecent world sound Bodhisattva, the Sanskrit title for a Sahasrabhuja Avalokitasvara. Senju Avalokitesvara Bodhisattva has a thousand hands, each hand has only one eye to forgo our all people suffering, which means this one thousand Ji them Buddhism desire and well-known. Not Yayintu thousand portrait basic the most famous are "thousand" and "Nikkei". Senju indecent sound image followed by worship the growth degree and image diversification, according to the times need to be borrowed or with Chinese traditional stories combined emerging Chinese Buddhist indecent sound, experience the various forms of evolution and growth. According to historical records, Buddhist indecent tone is the most popular in Asia especially in Chinese. Because of geographical position, South Korea Chinese influence is very big, and can follow the Buddha Buddhism to its coherence. It is important to note that even introduced from China to Korea, but along with the passage of time, gradually with Korean indigenous culture blending, said the Korean style and Buddhist teachings. Korean Buddhist art to the Korea period is very vigorous, can represent the art of Korea period. At that time, there was a lot of Buddha painting, but now there is only one. During the period of Korea in the future, South Korea is not how to draw a thousand not Yayintu. Removal of ancient works, including Korea and the Korean era, as long as the painting works, as long as 3. Chinese Tang Dynasty era Buddhist worship to indecent sound strong, then there were a lot of thousand is not Yayintu. Especially not Yayintu Mogao Grottoes of Buddhist most Yayintu of the Yuan Dynasty in the third grotto of the Buddhist can be said is the representative of the Chinese. In Korea, the existing Yayintu not few thousand. Chinese painting is not Yayintu thousand Korea period can be comparable with the Mogao Grottoes Chinese. The existence of the Korea Dynasty and the Yuan Dynasty was almost identical. Two thousand Yayintu do not have similar features. Structure of the 1000 hands Avalokitesvara is center and the eve of the eve, the second two Senju indecent sound facial appearance is quite similar to feel. Two thousand hand painting indecent tone image, according to the classical differences, so the two thousand indecent tone families differ. The interpretation of differences between China and South Korea on the development history of Buddhist indecent tone. 目录: 摘要 5-6 ABSTRACT 6 目录 8-9 1 绪论 9-10 2 千手观音观菩萨 10-12 3. 中国元代千手观音图 12-18 3.1 元代莫高窟壁画 12-13 3.2 莫高窟第3窟 13-18 3.2.1 莫高窟第3窟的千手观音图 15-18 4. 韩国高丽时期千手观音图 18-23 4.1 高丽时期佛教绘画的特点 18-22 4.2 高丽时期千手观音图 22-23 5 元代与高丽时期的千手观音图对比 23-25 6 元代与高丽时期之后的千手观音图 25-29 6.1 中国 25-28 6.2 韩国 28-29 7. 结论 29-32 参考文献 32-34 致谢 34 |
