| This thesis is about analysis of Haegeum and Chosun Sohaegeum. Two separated cultures of Han peninsula, sentiments of Korean people lead the projective culture which fit to their ideology and political ideological-flow, the music area also inevitably have shown a different pace.From Chosun and Korea, in accordance with’ demand of the period’, the improvement attempt of ethnic instruments happened and also the improvement of the Haeguem has been in progress. As a result, presently in Korea is using two-stringed of Haegeum which preserved original shape, Chosun is mostly using four-stringed of Sohaegeum which is improved and each became heterogeneous. Nevertheless they definitely have intrinsic common of racial sentiment, expressed in "Haegeum". However for this, specific study was not quite satisfied. So in this paper, the study was conducted in following ways.Next to the instruction, the chapter2examined inherited process of Haegeum from Korea’ Chosun and the current status of performance of the two instruments. In chapters, we look into currently being played performance technique of Haegeum and Sohaegeum. First, examine basic playing technique of two-stringed Haegeum and four-stringed improved Sohaeguem, afterward compare the same effect on the instrument’s playing technique. In chapter4, we are going to check internal aspects of composer’ Baek Dae-Woong’ who had composed for5instruments, and then analyze feature, which are structure of music, melody, and rhythm, so that it can be helpful to progress analysis about Haegeum and Sohaegeum’s playing technique. In chapter5, mainly inquire expression of ethnic musical sentiments which are tones in accordance with structure of instruments, differences in playing technique, Sigimsae and Nonghyeon, beats accent.I hope that this essay can be a cornerstone for having better and higher quality of future study. Also expect to come out various points of view about exchange of Yanbian and Korea’ Chosun music as well as academic’ cultural study. For the development of Haegueum, I leave organology of improved Haeguem as a challenge. Abstract: 本文是对于奚琴和朝鲜sohaegeum略论。两分离培养的韩半岛，朝鲜人的情绪，适合他们的意识形态和政治思想流投影文化，音乐领域也必然表现出不同的节奏。从朝鲜和韩国，按照需求的时期，民族乐器的改进尝试的事，韩语论文网站，也该haeguem的改进一直在进步。因此，目前在韩国使用两弦奚琴保留原来的形状，朝鲜主要是使用四弦的sohaegeum而改进各自成为异构。不过他们肯定有内在的共同的种族情绪，表达“奚琴”。然而关于这一点，具体的探讨还不太满意。所以，本文的探讨在以下几个方面。旁边的指令，chapter2examined继承的过程从韩国朝鲜奚琴及两仪器性能近况。在正文中，我们看到正在播放的性能技术和sohaegeum奚琴。首先，考察两弦和四弦的改进sohaeguem奚琴基本弹奏措施，然后比较在乐器的演奏技巧同样的效果。在第四章中，我们将检查内部方面的作曲家Baek DAE雄谁构成了<< monggeumpo taryung > for5instruments，然后略论功能，韩语论文，这是音乐结构、旋律、节奏，从而有助于进步略论和sohaegeum奚琴的演奏技巧。在第五章，主要是研讨民族音乐的情绪与结构的仪器根据音调表达，在演奏技术的异同，sigimsae和nonghyeon，Beats的口音。我希望这篇文章可以有更好的和更高的未来探讨质量的基石。也希望出来看延边和韩国朝鲜交换音乐以及学术文化探讨的不同点。为haegueum发展，我把改进的haeguem为挑战乐器。 目录: 韩文摘要 6-7 Abstract 7 目录 8-12 正文 12-52 参考文献 52-54 附录 54-59 |
