| 11世纪前期，自北宋文人画家宋迪，开端画“潇湘八景图”，经明、清朝，许多画家画了“潇湘八景图”。且很早传入韩国和日本，风行一时。据传，高丽时期传入韩国，一向风行至朝鲜末期，朝鲜前期还被画成了平易近画，数百年经久不衰，风行于士年夜夫阶级和布衣庶民。据传，创立“潇湘八景”的人物是，北宋文人画家宋迪。因没有传上去肯定是他的遗作，所以还不克不及完整懂得，宋迪所创立的“潇湘八景图”是甚么样的画。但，现存的几幅北宋山川画，被推定是他的著作或与其有关。中国湖南省长沙县，有‘潇江’和‘湘江’两条河，北宋时代开端被称为‘潇湘江’，因其景不雅异常娟秀，经常涌现于文学著作。文学中，‘潇湘江’常被描写为，凄美恋爱、拜别和隐逸、被排外的空间。从高丽或朝鲜文人所作的“潇湘八景诗”中，也不难发明其如许的诗思(诗的灵感)，且反应了“潇湘八景图”的悲痛而闷闷不乐的抽象。由北宋宋迪开端画的“潇湘八景图”，不知什么时候传至韩国，今朝还很难肯定。但，据文献记载可以肯定，最迟高丽时期(即12世纪前期)传入韩国，或有能够会更早。以后，朝鲜后期被抽象化为古典幻想名胜的“潇湘八景”，成为韩国文人爱好的主题。朝鲜前期，完整具有八个画题的著作，固然很少，但各画题都很自力。作者们没有把中国‘潇湘江’画入图中，而根据‘潇湘八景’的特点画了韩国的实景，韩语论文范文，可以经由过程前期确立‘真景山川画’的郑善的著作确认。11世纪，在中国开端画起的“潇湘八景图”，于12世纪传入韩国，风行至朝鲜时期。来源于中国的“潇湘八景图”，韩语毕业论文，能在韩国连续风行，是因其分红八个排场表示的幻想风景，相符了文人们的卧游和向往。且，‘潇湘’的“湘妃传说”、隐居‘潇湘’、放逐之地‘潇湘’等，装载着许多故事，这些故事惹起了，文人们对“潇湘八景图”的共识。 Abstract: In the early 11th century, since the Northern Song dynasty literati painters Song Di and start painting "eight Xiaoxiang map", the Ming and Qing Dynasty, many painters drew "Xiaoxiang figure of eight". And very early introduction of South Korea and Japan, come into fashion. According to legend, the Koryo Period was passed into Korea, has always been popular to the north end, North Korea in early was also painted folk painting and enduring for hundreds of years, popular in scholar Doctor class and commoners. According to legend, the creation of "eight" characters, the Northern Song dynasty literati painters song di. Because did not pass up is definitely his posthumous, so also cannot completely understand, Song Di founded the "Xiaoxiang figure of eight" is what kind of painting. However, the existing pieces of the Northern Song Dynasty landscape painting, is presumed to be his works or related. , Changsha County, Hunan Province, China, 'Xiao Jiang' and 'River' two river, Northern Song Dynasty era beginning is called "Xiaoxiang River ', because of its landscape abnormal graceful, often appear in the literature. In the literature, "Xiaoxiang River" is often described as a beautiful, love, leave and seclusion, excluded space. From Korea or Korean literati "Xiaoxiang eight poems", also not difficult to find such poetic thought (poetic inspiration) and response to the "eight views of Xiaoxiang" sad and depressed the abstract. From the beginning of Song Di painting "eight", I do not know what time to South Korea, it is difficult to ascertain. But, according to historical records to be sure, the latest Korea times (twelfth Century -) was introduced into Korea, or to be earlier. Later, North Korea is abstracted into the late classic fantasy "eight scenic spots, scenic spots become the theme of Korean literati. North Korea early, complete with eight painting works, although rarely, but the paintings are very independent. The authors didn't drawn the Chinese "Xiaoxiang River 'in figure, and according to the characteristics of" Xiaoxiang eight' painting the Korean real map, can through the process of pre established 'true Jingshan Sichuan painting' Zheng Shan works confirm. In the beginning of Eleventh Century, Chinese painting "eight", on twelfth Century in Korea, North Korea to popular period. Sources in China's "eight Xiaoxiang map", in Korea continued to be popular, because of its dividend eight ostentation and extravagance said of the fantasy landscape, compliance with the lying of the people and the desire. And, "Xiaoxiang" "the legend," Seclusion "Xiaoxiang ', the land of exile" Xiaoxiang ", loaded with many stories. These stories caused, the people of" eight views of Xiaoxiang "consensus. 目录: |
