| 1998年，韩国提出了“文明立国”计谋，把文明家当作为21世纪国度经济的计谋性支柱家当加以优先成长，“韩流”成为从21世纪初一向舒展到如今的亚洲文明景象。韩国电视综艺节目也跟着这股微弱的“韩流”进入亚洲列国，并有愈演愈烈之势。从晚期的情书、X一Man，到后来的家族出生、Star King，再到如今的两天一夜、我们娶亲了，韩国电视综艺节目在互联网上根本完成了同步流传、同步风行，流传的速度和广度都使人惊奇。韩国电视综艺节目以其壮大的明星声威、切近生涯的节目情势、戏剧性元素的融入为重要特点，将综艺节目标兴趣性施展的极尽描摹。韩国电视综艺节目从类型上年夜致可以划分为游戏闯关类、益智类、婚恋类、歌谣类、饮食安康类等，节目标制造也走上了形式化的途径。在剧烈的市场竞争下，韩国电视综艺节目一向在求新求变，收视率欠安的节目会被武断换失落，所以韩国电视综艺节目层见叠出，韩语论文题目，更新换代的速度异常之快。韩国电视综艺节目不只成为韩国文娱家当的一个构成部门，同样成为年夜众文明的推进力气，作用着社会文明的各个方面。我国的电视综艺节目起步稍晚，如今仍处于摸索、成长的阶段。固然节目数目宏大，但原创才能缺乏，节目同质化景象严重，有些节目风格不高，乃至在价值导向上涌现了误差。摸索出一套合适我国不雅众口胃的电视综艺节目形式是我国电视任务者急切须要做的任务，韩国电视综艺节目有许多胜利的经历值得我们自创。 Abstract: In 1998, South Korea proposed the "culture" trick, the civilization belongings as national economy in the 21st century strategic pillar belongings to be preferentially grow, the "Korean wave" become to spread to today's Asian cultural phenomenon from the beginning of the 21st century. Korean TV variety show also followed this faint "Hallyu" into the Asian nations, and there is a growing trend. From the late of the "love letter", "X" of a man, later the family birth "," Star King ", and then to now" two days of night "and" our wedding ", South Korean television variety shows on the Internet basically completed the synchronization of the spread, the popular synchronism, spread the speed and breadth to surprise. South Korean television variety program to grow its star prestige, the closest career forms of programs and dramatic element into the important characteristics, the variety of programs of interest to display incisively and vividly. South Korean television variety shows from type last night by can be divided for the game checkpoints, puzzle, marriage, ballads, diet and health class and so on, manufacturing also embarked on a formal way. In the fierce market competition, South Korean television variety show has always been in innovation and change, ratings of the Qianan program will was arbitrarily change the lost, so South Korea TV variety show emerges in endlessly, renewal speed quickly. South Korean television variety shows not only as a South Korean entertainment belongings of a part, as well as the masses culture promote strength, affecting all aspects of social civilization. China's television variety show started a little late, is still in the stage of exploration and growth. Although the program number of the grand, but the lack of originality, program homogenization phenomenon is serious, some programming style is not high and in the value orientation emerged error. Find out fits our country indecent; gastric TV variety show form is television in China is an urgent need to do the task, the variety shows in Korea have many successful experience worthy of our own. 目录: 摘要 4-5 Abstract 5 引言 7-10 （一） 本文的探讨背景及探讨意义 7-8 （二） 国内探讨近况及本文的主要探讨措施与创新点 8-10 一、 韩国电视综艺节目本体略论 10-20 （一） 韩国电视综艺节目的制作体制 10-13 （二） 韩国电视综艺节目的常见类型 13-14 （三） 韩国电视综艺节目的特点 14-20 二、 韩国电视综艺节目作用略论 20-24 （一） 韩国电视综艺节目成为韩国文化产业的一环 20-21 （二） 韩国电视综艺节目的“多米诺效应” 21-22 （三） 韩国电视综艺节目的海外作用 22-24 三、 韩国电视综艺节目理论略论 24-29 （一） 传播学视角：大众狂欢时代传播者与受众的平等对话 24-25 （二） 经济学视角：消费时代情绪资本打造粉丝经济 25-27 （三） 文化学视角：娱乐时代传统与现代的交汇融合 27-29 四、 韩国电视综艺节目对我国电视媒体的启示 29-36 （一） 我国电视综艺节目的发展近况及存在的不足 29-32 （二） 韩国电视综艺节目带来的启示 32-36 结语 36-38 参考文献 38-40 后记 40 |
