中韩历史题材电视剧比较略论[韩语论文]

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2000年以来,韩剧在中国甚至亚洲的风行已成为不争的现实。随之而来的韩流让中国的电视剧制造人看到了惊人的收视率和伟大的经济效益和社会效益。而中国作为一个文明年夜国,具有着比韩国加倍厚重的汗青文明沉淀,但在电视剧范畴为却没有做出好像韩剧一样的惊动后果,这自己就是一个值得思虑的成绩。特别是在汗青题材剧傍边表现的加倍凸起。中国的汗青题材电视剧在各年夜剧种中临盆数目最多,乃至在电视屏幕中涌现“皇帝热”的说法。固然数目宏大,但精品不多,可以或许走出国门的精品汗青题材电视剧更是百里挑一。而韩剧固然汗青题材电视剧数目不多,但仅一部年夜长今就可以够使看惯了汗青题材电视剧的中国不雅众众所周知,可见韩国汗青题材电视剧必定存在本身的优势。固然中国汗青题材电视剧也不乏优良著作,好比年夜明宫词等等,但却没有在国外市场上发生更年夜的作用。本文经由过程比较剖析、个案剖析和总结归结的办法,重要以年夜长今与年夜明宫词为例,将中韩汗青题材电视剧从艺术特点、政策情况两个方面停止比较,并对中韩汗青题材电视剧的人物塑造、剧情支配、视听后果,和治理体系体例、制造播出机制、政策搀扶力度、社会效应几个方面停止具体比较。经由过程比较显著的看出中国汗青题材电视剧的优点和缺乏的地方。最初本文以为,应该从完美我国的电视剧分级轨制、播出审查轨制两方面来完美我国对汗青题材电视剧治理体系体例;对电视脚本身,要在电视剧拍摄制造的进程中重视对本平易近族精力文明和物资文明的渗入渗出,以凸起表现电视剧的文明内在和进一步担当起对本平易近族文明的宣扬推行的功效;为凸起汗青题材电视剧的文娱功效,中国汗青题材电视剧在拍摄制造进程中要加倍重视对对舞美后果和音乐后果的精致打造,和剧情中情绪细节的描绘。

Abstract:

Since 2000, the popularity of Korean dramas in China and even Asia has become an indisputable reality. Subsequent Hallyu let Chinese TV programs make people see the amazing audience rating and great economic benefit and social benefit. China is a civilized country with precipitation than South Korea double thick history and culture, but in the TV series category for did not make like drama as disturbing consequences, his is a worth thinking results. Especially in the history of drama performance is more prominent. Chinese historical teleplays in the eve of the drama birth number most, and in the TV screen emerge "emperor" and the argument. The number is large, but the quality is not much, can go out of the country's historical drama boutique is rare. And Korean although historical teleplays number not much, but only a "big long this" can be enough to make used to look at the TV drama of history of Chinese audience as is known to all, visible Korean historical theme dramas must exist itself. Although the Chinese historical teleplays also there is no lack of excellent works, like the eve of the Mingun words "and so on, but no greater influence in the foreign market. This article through the contrast analysis, case analysis and summarizing methods, important to "big long today," and "the eve of the Mingun word" for example, Chinese and Korean historical theme dramas from two aspects of artistic characteristics and policies to stop comparing, and on the history of China and South Korea Drama characters and control plot, audio-visual effects, and governance systems, manufacturing and broadcast system, policy helped efforts, the social effect of several aspects to carry on detailed comparison. Through the comparison of the advantages and the lack of the Chinese historical themes. The delicate build the consequences of the consequences of the rail originally in this paper think, should from the perfect our country television classification system, broadcast censorship system two aspects to perfect our country of historical theme TV play system of governance style. The television script, in the TV drama film made in the process of attention to the plain near family spiritual civilization and material civilization of infiltration to outstanding drama culture connotation and further assume the plain near family civilization to promote the implementation of the function; convex history theme TV entertainment effect, in the history of China TV drama in the film the production process to redouble their attention on the choreography and music, and plot in the emotional details description.

目录:

摘要   4-5   ABSTRACT   5-6   绪论   9-13       一、选题缘起   9       二、文献综述   9-11       三、探讨措施   11       四、创新之处   11-13   引言   13-15   第一章 中韩历史题材电视剧概况   15-19   第二章 中韩历史题材电视剧对比   19-49       第一节 艺术特征对比   19-43           一、剧情安排   19-31           二、人物塑造   31-39           三、视听效果   39-43       第二节 政策环境对比   43-49           一、管理体制   43-45           二、制作播出机制   45-46           三、政策扶持力度   46-47           四、社会功能   47-49   第三章 对中国历史题材电视剧的启示   49-57       第一节 完善管理体制   49-50           一、完善电视剧分级制   49-50           二、完善播出审查制度   50       第二节 重视民族文化   50-53           一、重视精神文化的渗透   51-52           二、重视物质文化的渗透   52-53       第三节 重视细节刻画   53-57           一、舞美及音乐效果的细化   53-54           二、情感细节刻画   54-57   结语   57-59   注释   59-61   参考文献   61-63   致谢   63-64  

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